[ecrea] CfP: Fantasies of Contemporary Culture

Please find attached a call for papers for a one-day symposium at 
Cardiff University, entitled 'Fantasies of Contemporary Culture'.

The symposium will take place on on 23 May, 2016. The call for abstracts 
closes on 21 March, 2016. Keynote speakers will be Dr Mark Bould (UWE 
Bristol) and Dr Catherine Butler (Cardiff, ENCAP). More information can 
be found on our website: http://culturalfantasies.wordpress.com.

All the best,

Tom

Dr Tom Harman
School of English, Communication and Philosophy
Cardiff University

Fantasies of Contemporary Culture
Cardiff University, 23 May 2016
Call for Papers

Keynote speakers:
Dr. Mark Bould (UWE Bristol)
Dr. Catherine Butler (Cardiff University)

> From the record-breaking sales of J. K. Rowling’s Harry Potter series, both in print and on film, to the phenomenal success of various forms of hyperreal ‘reality television’, contemporary Western culture seems singularly obsessed by the spectacular and the fantastic. This desire to experience other(ed) realities is also evidenced by the continued popularity of neo-historical literature and period drama, the domination of Hollywood cinema by superhero movies, and by the apocalyptic and dystopian imagery that abounds across genres and target audiences. With a long critical and cultural history, conceptualised by scholars as diverse as Tzvetan Todorov, Farah Mendlesohn, John Clute, Brian Attebery, Fredric Jameson, Lucie Armitt, and Darko Suvin, fantasy has arguably become the dominant mode of popular storytelling, supplanting the narrative realism of the nineteenth and early twentieth centuries.

Rather than attempting to define fantasy, horror, weird, or science 
fiction as distinct genres, we wish to take up Katheryn Hume’s expansive 
definition of fantasy as anti-mimetic, or as ‘any departure from 
consensus reality’ (Fantasy and Mimesis, 1984, p. 21), in order to 
engage with the broader artistic motivation to question the limits of 
the real. This symposium, then, will explore the political and cultural 
functions of such fantasies. To what extent does the impulse to create 
fantasy art comment back upon this ‘consensus reality’, and to what 
extent does it represent a separate reality? How might the fantastical 
characters and environments that populate our contemporary cultural 
landscape be informed by the experience of twenty-first-century 
metropolitan life, and how do such texts (in)form that experience in return?

Roger Schlobin claims that the ‘key to the fantastic is how its 
universes work, which is sometimes where they are, but is always why and 
how they are’ (‘Rituals' Footprints Ankle-Deep in Stone’, 2000, p. 161). 
With this claim in mind, we invite submissions from any discipline that 
address the relationship between current cultural, social and political 
dialogues and fantasy texts – specifically ones that interrogate 
dominant structures of power, normativity and ideology. Suggested topics 
include, but are not limited to, the relationship between fantasy texts 
and contemporary culture through the lens of:


•	Theories of fantasy
•	Ideology and world building
• 	Ecological fantasies
•	Escapism
•	Cognitive mapping
•	Utopian/dystopian vision
•	Categories of monstrosity and perfection
•	The humanities (fantasies, futures)
•	Capitalist critique
•	Genre studies/border crossings
•	Age studies (childhood fantasy versus adult fantasy)
•	Gender studies
•	Alternate histories and retrofuturism
•	Postcolonial fantasy (incl. Welsh)
•	Nationalism and politics
•	Inequality and race relations


We welcome paper and panel proposals from postgraduate students, 
independent researchers, affiliated scholars, writers, and artists from 
any background or career phase. Paper proposals must be between 200-300 
words; panel proposals should be between 400-500 words. Please send 
abstracts, including your name and e-mail, institutional affiliation (if 
any), and a short biography (100 words maximum), to Dr Tom Harman 
((HarmanTL /at/ cardiff.ac.uk)) and Megen de Bruin-Molé 
((DeBruinMJ /at/ cardiff.ac.uk)) by 21 March.

The programme will include coffee/tea breaks, lunch, and a wine 
reception. This will be covered in the registration fee (£10 for 
students and part-time staff, £20 for salaried staff). For more 
information and updates, please visit the symposium website at 
http://culturalfantasies.wordpress.com.

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