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[ecrea] Gorizia's FilmForum MAGIS Spring School
Mon Dec 12 01:32:49 GMT 2016
FilmForum 2017 – XV MAGIS Spring School – March 29th-April 1st, Gorizia
(Italy)
*Deadline extension! New deadline for paper (or panel) proposals:
December 31st, 2016.*
*NO TURNING BACK RE-THINKING THE POSTMODERN*
*Confirmed Keynote Speakers:*
Peter Alilunas (University of Oregon)
Jan-Christopher Horak (Director of UCLA Film & Television Archive and
Professor for Critical Studies)
Ruggero Eugeni (Università Cattolica del Sacro Cuore)
Peter Alilunas (University of Oregon)
Jussi Parikka (University of Southampton)
...and we are still waiting for more confirmations
The MAGIS – International Film Studies Spring School will celebrate its
15th edition by addressing the possible archaeologies and genealogies of
the “postmodern”, whose framework, despite its hints about the End of
History (from Lyotard’s “End of Great Narratives” [1979] to Fukuyama’s
theories [1992]) seems to have today, most of all, a historical value.
In other words, in a moment when the notion of “postmodern” does not
describe our present time anymore, we are compelled to ask ourselves
whether the contemporary media landscape still has a name or not. More
specifically, drawing on the speculations of many scholars and critics,
such as Raoul Eshelman (2001), Alan Kirby (2006, 2009), and Nicholas
Bourriaud (2009), who declared that postmodernism and postmodern culture
have come to an end, we have to answer the following question: how can
we define the post-postmodern era?
Our main goal, then, is to unravel the theoretical knots concerning the
postmodern as a historical phenomenon and its aftermath within the
epistemic frame of film and media studies. We will reflect in particular
on the following topics: on the one hand, which film and media practices
should be considered inherently postmodern; how film and media cultures
developed during the postmodern era; how the political framework of the
postmodern era (neoliberalism and post-fordism; LGBT movements; third
wave feminism, etc.) influenced film and media production; and, more
broadly, how we can imagine a media archaeology of the postmodern. On
the other, referring to Supplanting the Postmodern (Rudrum and Stavris,
2015), we will investigate the field of post-postmodernism (mainly
through the notions of remodernism, performatism, hypermodernism,
automodernism etc.), opening new ways for the analysis of the
contemporary film and media landscape, its practical groundwork, and its
theoretical framework.
Drawing on their own specific disciplinary interests and methodological
perspectives, the five sections of the School – Cinema and Contemporary
Arts, Film Heritage, Media Archaeology, Porn Studies, and Post-Cinema –
will explore different aspects of postmodern (and post-postmodern)
culture and theory:
1) Cinema and Contemporary Arts: *THE END OF (ART) HISTORY-TELLING?
REPRESENTING THE HISTORICAL PAST AND HISTORICIZING THE PAST IN THE ARTS
AFTER THE POST MODERN*
2) Film Heritage: *MIGRATION AND POST-MODERN TRANSNATIONAL FILM CULTURE*
3) Media Archaeology: *NETWORK*
4) Porn Studies: *VIDEO (R)EVOLUTIONS*
5) Post-Cinema: *VR AND AR: A POST-CINEMATIC MODERNITY*
For more information, please visit our website:
http://www.filmforumfestival.it/
FilmForum/MAGIS Spring School is an international film and media studies
conference (especially aimed at MA and PhD students and early career
researchers) organized by the University of Udine (Italy) in
collaboration with: Concordia University, Montreal; Fachhochschule
Potsdam; Goethe-Universität, Frankfurt am Main; Université de Lausanne;
Université de Montréal; Université du Québec à Montréal; Université
Sorbonne Nouvelle – Paris 3; University of Malta.
Inaugurated in 2003, FilmForum has now become one of the most important
events in the field of film and media studies, also being considered
highly influential across several other disciplines. The School is in
fact internationally renowned for its interdisciplinary flair, for the
originality of its approaches, and for its cutting edge topics.
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