[ecrea] Participations 12.1

http://www.participations.org/


Volume 12, Issue 1

(May 2015)
	

Contents


Editorial

    Barker, Martin (Editor):

    'Thinking differently about "censorship"''





Articles

    Bergström, Annika:

    ‘The contexts of internet use: From innovators to late majority’

    Knight, Victoria:

    ‘Television, emotion and prison life: Achieving personal control’

    Matikainen, Janne:

    ‘Motivations for content generation in social media’

    Reinhard, CarrieLynn D. & Kevin Miller:

    ‘Men watching Sex and the City, My Little Pony, and Oklahoma: The 
interpretation of gender appropriateness in the reception of 
cross-gendered media products’

    Wroot, Jonathan:

    ‘Reviewing distinctive DVD experiences: NEO Magazine and the 
critical reception of Asian media distributors’

    Chambers, Amy C. & R. Lyle Skains:

    ‘Scott Pilgrim vs. the multimodal mash-up: Film as participatory 
narrative’





Themed Section 1: "Experiencing Live" (Guest editors: Matthew Reason & 
Kirsty Sedgman)

    Reason, Matthew & Kirsty Sedgman:

    ‘Editors’ general introduction: Themed Section on theatre audiences’

        Sedgman, Kirsty:

        Introduction to Part 1: ‘Be reasonable! On institutions, 
values, voices’

            Wilkinson, Julie:

            ‘Dissatisfied ghosts:  Theatre spectatorship and the 
production of cultural value’

            Hadley, Bree:

            ‘Participation, politics and provocations: People with 
disabilities as non-conciliatory audiences’

            Schuitema, Karian:

            ‘A provocation: Researching the diverse child audience in 
the UK’

            Richardson, John M.:

            ‘Live theatre in the age of digital technology: “Digital 
habitus” and the youth live theatre audience’

            Pasquier, Dominique:

            ‘“The Cacophony of Failure”: Being an audience in a 
traditional theatre’

            Lindelof, Anja Mølle & Louise Ejgod Hansen:

            ’Talking about theatre: Audience development through dialogue’

            Johanson, Katya & Hilary Glow:

            ‘A virtuous circle: The positive evaluation phenomenon in 
arts audience research’

        Reason, Matthew:

        Introduction to Part 2: ‘Participations on Participation: 
Researching the “active” theatre audience’

            Gomme, Rachel:

            ‘Not-so-close encounters: Searching for intimacy in 
one-to-one performance’

            Biggin, Rose:

            ‘Reading fan mail: Communicating immersive experience in 
Punchdrunk’s Faust and The Masque of the Red Death’

            Wozniak, Jan:

            ‘The value of being together? Audiences in Punchdrunk’s The 
Drowned Man’

            Wilson, Anna:

            ‘“Playing the Game”: Authenticity and invitation in 
Ontroerend Goed’s Audience’

            Gröschel, Uwe:

            ‘Researching audiences through Walking Fieldwork’

            Breel, Astrid:

            ‘Audience agency in participatory performance: A 
methodology for examining aesthetic experience’





Themed Section 2: 'Tweeting the Olympics: International broadcasting 
soft power and social media' (Guest editors: Marie Gillespie & Ben 
O'Loughlin)

    Gillespie, Marie & Ben O’Loughlin:

    ‘Editorial Introduction: International news, social media and soft 
power: The London and Sochi Olympics as global media events’

        Burchell, Kenzie & Ben O’Loughlin, Marie Gillespie & Eva Nieto 
McAvoy:

        ‘Soft power and its audiences: Tweeting the Olympics from 
London 2012 to Sochi 2014’

        Dennis, James, Marie Gillespie & Ben O’Loughlin:

        ‘Tweeting the Olympics: Towards a methodological framework for 
Big Data analysis of audience engagement during global media events’

        Procter, Rob, Alex Voss & Ilia Lvov:

        ‘Audience research and social media data: Opportunities and 
challenges’

        Willis, Alistair, Ali Fisher & Ilia Lvov:

        ‘Mapping networks of influence: Tracking Twitter conversations 
through time and space’

        Shreim, Nour:

        ‘Tweeting the Olympics: Transcending national, religious and 
gender identities on BBC Arabic’

        Voss, Alex & Marzieh Asgari-Targhi:

        ‘The inescapable history and politics of Anglo-Iranian 
relations: Audience engagement with BBC Persian on social media during 
the London 2012 Olympics’

        Aslan, Billur, James Dennis & Ben O’Loughlin:

        ‘Balding goes trolling? Cross-media amplification of 
controversy at the 2012 Olympics’

        Aslanyan, Anna & Marie Gillespie:

        ‘The Russian-language Twittersphere, the BBC World Service and 
the London Olympics’

        Hutchings, Stephen Marie Gillespie, Ilya Yablokov, Ilia Lvov & 
Alexander Voss:

        ‘Staging the Sochi Winter Olympics 2014 on Russia Today and BBC 
World News: From soft power to geopolitical crisis’

        Burchell, Kenzie:

        ‘Infiltrating the space, hijacking the platform: Pussy Riot, 
Sochi protests, and media events’





Themed Section 3: 'EIFAC 2014' (Guest editors: Lesley-Ann Dickson)

    Dickson, Lesley-Ann:

    ‘Section Introduction: Edinburgh International Film Audiences 
Conference, 2014’

        Atesman, Özge Özdüzen:

        ‘The Politicisation and “Occupy”sation of the Istanbul Film 
Festival Audience’

        Dickson, Lesley-Ann:

        ‘“Ah! Other Bodies!”: Embodied spaces, pleasures and practices 
at Glasgow Film Festival’

        Martinez, Josu, Miriam Frances, Katixa Agirre & Miren Manias-Muñoz:

        ‘Zinegin Basque film festival: A non-existent audience revealed’

        Ralph, Sarah & Martin Barker:

        ‘What a performance!  Exploring audiences’ responses to film 
acting’

        Saryusz-Wolska, Magdalena:

        ‘Watching films in the ruins: Cinema-going in early post-war 
Berlin’





Reviews

    Burland, Karen & Stephanie Pitts (eds.):

    Coughing and Clapping: Investigating Audience Experience (reviewed 
by Rose Biggin)

    Radbourne, Jennifer, Hilary Glow & Katya Johanson (eds.):

    The Audience Experience: A Critical Analysis of Audiences in the 
Performing Arts (reviewed by Kirsty Sedgman)
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