[ecrea] Screen Volume 56, Issue 1 – Table of Contents

View the full Table of Contents at http://www.oxfordjournals.org/page/6386/1

ARTICLES

Screening and disclosing fantasy: rear projection in Hitchcock
by Elisabeth Bronfen

The Kuchars, the 1960s and queer materiality
by Juan A. Suárez

Animation to spare in Chris Landreth's and Ryan Larkin's short films
by Jennifer Blair

Televisual forensics on the edge of chaos: postgenomic complexity in 
CSI: Crime Scene Investigation
by Sofia Bull



THE SCREEN ANIMALS DOSSIER

Introduction
by Laura McMahon

Surrealist contagion: Le Vampire
by Oliver Gaycken

Yervant Gianikian and Angela Ricci Lucchi's Animali Criminali
by Anat Pick

Towards a theory of documentary representation for animals
by Brett Mills

Animal agency in Le Quattro volte
by Laura McMahon

‘Practically infinite manipulability’: domestic dogs, canine performance 
and digital cinema
by Michael Lawrence



REPORTS, DEBATES AND RESEARCH NOTES

Queer or human? LGBT film festivals, human rights and global film culture
by Karl Schoonover

Cinema and demography
by Justin Sully

Festivals and the politics of space and mobility: the Tarifa/Cordoba 
African Film Festival (FCAT) as nomadic heterotopia
by Lindiwe Dovey and Federico Olivieri

Read now at http://www.oxfordjournals.org/page/6386/1



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