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<div class=3D"yiv1157130486MsoNoSpacing" style=3D"text-align: center;"
align=3D"center"><span style=3D"font-size: 12pt;">=E2=80=98Tangibility=E2=
=80=99</span></div>
<div class=3D"yiv1157130486MsoNoSpacing" style=3D"text-align: center;"
align=3D"center"><span style=3D"font-size: 12pt;">Call for papers</span>=
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<div class=3D"yiv1157130486MsoNoSpacing"><span style=3D"font-size: 12pt;"=
>=C2=A0</span></div>
<div class=3D"yiv1157130486MsoNoSpacing"><span style=3D"font-size: 12pt;"=
>The
politics
of
tangibility surrounding media studies are constantly changing.<span
style=3D"">=C2=A0 </span>Is film no longer a tangible medium due to
the advent of digital capture and projection?<span style=3D"">=C2=A0
</span>Has television ever been a tangible format?<span style=3D"">=C2=A0=
</span>How
does
one go about speaking of the
tangible or intangible nature of new media, with its many virtual
constructs?<span style=3D"">=C2=A0 </span>At the same time that mass
media are slipping into nebulosity they are also arguably more tangible
than at
any point before.<span style=3D"">=C2=A0 </span>Video games are
becoming more tangible with the introduction of the sensation of touch.<s=
pan
style=3D"">=C2=A0 </span>And today, one can carry the entire means of
media production =E2=80=93 through post-production to exhibition =E2=80=93=
in a back
pocket.<span style=3D"">=C2=A0 </span>What are the implications of
this new tangibility for media-making?<span style=3D"">=C2=A0
</span>How does the tangible relate to conceptions of (media)
materiality?<span style=3D"">=C2=A0 </span>What are the historical and
archeological
dimensions of the (new) tangibility of media?</span></div>
<div class=3D"yiv1157130486MsoNoSpacing"><span style=3D"font-size: 12pt;"=
>=C2=A0</span></div>
<div class=3D"yiv1157130486MsoNoSpacing"><span style=3D"font-size: 12pt;"=
>From
Lisa
Cartwright=E2=80=99s
consideration of the hands of the projectionist through
Antonia Lant=E2=80=99s essay on haptical cinema to Jennifer Barker=E2=80=99=
s book <i
style=3D"">The Tactile Eye</i> =E2=80=93 even through contemplations
of the humanities in general as =E2=80=98soft=E2=80=99 sciences =E2=80=93=
we are interested in
exploring the tangibility (or intangibility) of media studies in this
special
section of the Autumn 2012 volume of NECSUS.<span style=3D"">=C2=A0
</span>In addition to essays themed on tangibility NECSUS is also
considering
essays on a wide variety of issues related to media studies, in
addition to
reviews of all types (conferences, festivals, exhibits, books,
websites, etc.).<span style=3D"">=C2=A0 </span>We look forward to receivi=
ng
abstracts of no
more than 300 words and a short biography of no more than 150 words by
31 March
2012 at the following address: <a class=3D"moz-txt-link-abbreviated"
href=3D"mailto:(g.decuir /at/ aup.nl)">(g.decuir /at/ aup.nl)</a>.</span></div>
<div class=3D"yiv1157130486MsoNoSpacing"><span style=3D"font-size: 12pt;"=
>=C2=A0</span></div>
<div class=3D"yiv1157130486MsoNoSpacing"><span style=3D"font-size: 12pt;"=
>=C2=A0</span></div>
<i style=3D""><span style=3D"font-size: 12pt; line-height: 115%;">NECSUS
is an international, open access, peer-reviewed journal of media
studies
published by Amsterdam University Press in partnership with NECS
(European
Network for Cinema and Media Studies).<span style=3D"">=C2=A0 </span>The
journal is multidisciplinary and strives to bring together the best
work in the
field of media studies across the humanities and social sciences.<span
style=3D"">=C2=A0 </span>We aim to publish research that matters and
that improves the understanding of media and culture inside and outside
the
academic community.<span style=3D"">=C2=A0 </span>Find us online at:</spa=
n></i><span
style=3D"font-size: 12pt; line-height: 115%;"> <a moz-do-not-send=3D"tru=
e"
rel=3D"nofollow">www.necsus-ejms.org</a></span></div>
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