[ecrea] Call for papers - Popular Music & Politics in the 21st Century

Volume! and the Editions Mélanie Seteun are pleased to announce the following events:

I. Publications:
    1. Sheila Whiteley (ed.) "Popular Music and Countercultures" issues of Volume! will be out in November and February.

An English version, edited by Sheila Whiteley and Jedediah Sklower will be published in 2013 by Ashgate. With an introduction by Andy Bennett. More information soon!

   2.  Stéphane Dorin (ed.), Sound Factory. Music and Industrialization
with texts from Jeremy Deller, Patrick Mignon, Simon Frith, Gérôme Guibert, David Hesmondhalgh, Philippe Bouquillion,
More information here:http://volume.revues.org/2986

II. Call for papers:

"Changing the Tune:
Popular Music&  Politics in the 21st Century From the Fall of Communism to the Arab Spring"

International Conference – Strasbourg University, France - 7-8 June 2013

Conference organizers:

-	Alenka BARBER-KERSOVAN, Leuphana University of Lüneburg, Arbeitskreis Studium Populärer Musik

-	Elsa GRASSY, Université de Strasbourg, International Association for the Study of Popular Music-branche francophone d’Europe

-	Jedediah SKLOWER, Université Catholique de Lille, Éditions Mélanie Seteun / Volume! the French journal of popular music studies

Confirmed Keynote Speakers:

- Martin Cloonan, Glasgow University
- Rajko Mursic, University of Ljubljana

Popular Music scholars have devoted considerable attention to the relationship between music and power. The symbolic practices through which subcultures state and reinforce identities have been widely documented (mainly in the field of Cultural, Gender and Postcolonial Studies), as has the increasingly political and revolutionary dimensions of popular music. Most studies have focused on the genres and movements that developed with and in the aftermath of the 1960’s counterculture. Yet little has been written about how the politics of popular music has reflected the social, geopolitical and technological changes of the late 20th and early 21st centuries, after the fall of Communism. Still, the music of the Arab Spring or of the Occupy and Indignados movements have been scarcely commented upon while they attest to significant changes in the way music is used by activists and revolutionaries today.

More information here:http://volume.revues.org/3050

Best,
Volume! the French journal of popular music studies - volume.revues.org



----------------
ECREA-Mailing list
----------------
This mailing list is a free service from ECREA.
---
To unsubscribe, please visit http://www.ecrea.eu/mailinglist
---
ECREA - European Communication Research and Education Association
Postal address:
ECREA
Université Libre de Bruxelles
c/o Dept. of Information and Communication Sciences
CP123, avenue F.D. Roosevelt 50, b-1050 Bruxelles, Belgium
Email: (info /at/ ecrea.eu)
URL: http://www.ecrea.eu
----------------