Archive for 2012

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[ecrea] Women at Work in the British Film & Television Industries

Wed Jul 18 21:24:18 GMT 2012




CALL FOR BOOKS TO REVIEW/BOOK REVIEWERS

Journal of British Cinema and Television

Special Issue: ‘Women at Work in the British Film & Television Industries’



A forthcoming special issue of the Journal of British Cinema and Television (July 2013) will address the theme of women’s creative involvement in the British film and television industries. The editors seek books to review and those interested in reviewing books that relate to the themes of the special edition. We are interested in books that engage with any aspect of the broad range of roles that women have performed in the British television and film industries (through their entire historical periods), including writers, producers, directors, editors, sound engineers, costume designers, art directors, commissioning editors and continuity ‘girls’. While the primary focus is upon women’s creative contributions to British film and television industries we are interested in books that address women’s movements across transnational borders as well as those that address women’s work in other national film and television industries, as long as the reviews of such books make clear their relevance and importance to the study of women’s film and television work in the British context. We are also interested in women’s work in the independent and avant-garde sectors, and across a range of genres includingdocumentary, short-film, educational films, public information films and amateur film-making. Books are also welcome that address women’s work in distribution and exhibition or any of the following themes and issues in so far as these relate to the work of women in the British film and television industries:

· The input women have made to film-making and television production in Britain and the impact such production cultures have had on women as workers;

· The input women have made to film-making and television production in Britain and the impact such production cultures have had on women as workers;

· How social, economic and industrial conditions (including industry regulation) have impacted upon women’s roles and creative practices;

· The relationship between women’s work and media trade unions/professional guilds

· The connection between women’s access to production and screen representations of women/textual femininities

· The relationship between film and television genres, their gendered affiliations and women’s involvement in their production

· How women practitioners have attempted to negotiate femininity and feminism in their working lives

· Issues of pedagogy and methodology in the study of women’s input to film-making and television production



If you have a book to review or would like to be a book reviewer for this special issue please email Vicky Ball ((vicky.ball /at/ sunderland.ac.uk)) by 3rd September 2012.

Dr. Vicky Ball
Lecturer in Film, Media & Cultural Studies
Programme Leader MAs Film, Media and Cultural Studies
(vicky.ball /at/ sunderland.ac.uk)
0191 5152100
Staff page: http://www.crmcs.sunderland.ac.uk/research-staff/vicky-ball/
http://womensfilmandtelevisionhistory.wordpress.com/



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