[ecrea] Scope: An Online Journal of Film and Television Studies issue 23 now published

Scope: An Online Journal of Film and Television Studies issue 23 has 
been published: http://www.scope.nottingham.ac.uk/



We hope readers will enjoy this open-access resource for film and 
television scholarship. The issue’s table of contents is reproduced below.



Best,



Mark Gallagher

Co-Editor, Scope: An Online Journal of Film and Television Studies 
http://www.scope.nottingham.ac.uk/

Lecturer, Department of Culture, Film and Media

School of Modern Languages and Cultures

University of Nottingham

University Park

Nottingham NG7 2RD

United Kingdom

ofc +44 (0)115 846 7292

fax +44 (0)115 951 5812

e-mail (mark.gallagher /at/ nottingham.ac.uk)







Scope Issue 23 June 2012: Table of Contents

Articles


Intelligence Activity in Hollywood: Remembering the 'Agency' in CIA
Tricia Jenkins and Matthew Alford



Toujours sous la neige: Snow, Stasis and Immobility in Alain Resnais' 
L'Amour mort and Coeurs
Jenny Munro



The Dead City: The Decay of the Urban Oganisation
Elena Woolley



Constructing Consensus: teamWorx's Event Movies and the Cinema of Consensus
Andrew Wormald




Book Reviews


All Book Reviews



Alternative Worlds in Hollywood Cinema: Resonance Between Realms By 
James Walters
The Fantasy Film By Katherine A. Fowkes
A review by Alexander Sergeant



Global Art Cinema Edited by Rosalind Galt and Karl Schoonover
Avant-Garde to New Wave: CzechoslovakCinema, Surrealism and the Sixties 
By Andrew L. Owen
Andrzej Wajda: History, Politics and Nostalgia in Polish Cinema By 
Janina Falkowska
A review by Billy Budd Vermillion



Jane Campion: Authorship and Personal Cinema By Alistair Fox
The Genius of the System: Hollywood Filmmaking in the Studio Era By 
Thomas Schatz
A review by Deborah Mellamphy



Possessed Hypnotic Crimes, Corporate Fiction, and the Invention of 
Cinema By Stefan Andriopoulos
A Page of Madness: Cinema and Modernity in 1920s Japan By Aaron Gerow
A review by Irena Hayter



Ostrannenie Edited by Annie van den Oever
Optical Media By Friedrich Kittler
A review by Katerina Loukopoulou



The Language of Film By Robert Edgar-Hunt, John Marland Steven Rawie
Valuing Films: Shifting Perceptions of Worth Edited by Laura Hubner
Fifty Key American Films Edited by John White and Sabine Haenni
A review by Meraj Ahmed Mubarki



Humphrey Jennings By Keith Beattie
Shadows of Progress: Documentary Film in Post-War Britain Edited by 
Patrick Russell and James Piers Taylor
>From Pinewood to Hollywood: British Filmmakers in American Cinema 
1910- 1969 By Ian Scott
A review by Paul Elliot



Hard Hats, Rednecks, and Macho Men: Class in 1970s American Cinema By 
Derek Nystrom
He Was Some Kind of a Man: Masculinities in the B Western By Roderick 
McGillis
A review by Gavin Harper



The Cinema of India Edited by Lalitha Gopalan
Film in the Middle East and North Africa Edited by Josef Gugler
Bengali Cinema "An Other Nation? By Sharmistha Gooptu
A review by Rohit K. Dasgupta



Radical Light: Alternative Film & Video in the San Francisco Bay Area, 
1945-2000 Edited by Steve Anker, Kathy Geritz and Steve Seid
Chainsaws, Slackers, and Spy Kids: Thirty Years of Filmmaking in Austin, 
Texas By Alison Macor
A review by Yusef Sayed



Film and Television Reviews



All Film and Television Reviews



Jane Eyre
Catherine Paula Han



J. Edgar
Serena Daalmans



Andy Hardy, Collection 1
Judy Beth Morris



The Avengers
Brady Hammond



A Dangerous Method
Charles Andrews



The Shore
Andrew Grunert




Conference Reports


All Conference Reports



East Winds: East Asian Cinema and Cultural Crossovers Symposium
A report by Pierce Conran



SCMS 2012: Society for Cinema and Media Studies Conference
A report by Joan Doagle



Contemporary Psychoanalysis, Literature and Film Symposium
A report by Joanna Kellond



Monsters: Subject, Object, Abject
A report by Ian Pettigrew

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