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[ecrea] CFP: Film and History Conference: Mythical Movie Jews Proposals
Sun Jun 03 05:55:51 GMT 2012
Call for
Papers
"Mythical Movie Jews: Anti- and Philo-Semitic Stereotypes on the Silver
Screen."
An Area of Multiple Panels for the Film and History Conference on "Film
and Myth: September 26-30,
2012
Milwaukee, Wisconsin, USA.
www.uwosh.edu/filmandhistory
Deadline: June 8, 2012
Feature films usually have projected stereotypical motivations and
traits onto characters belonging to ethnic, racial, and religious
minorities. Thus, the individual antagonist or protagonist typifies his
or her group. The cinematic image of Jews, in particular, has been
shaped by the legacy of Christianity's views of Jews and Judaism, the
economic and professional roles Jews have been associated with, and the
conspiratorial or constructive goals Jews pursue to subvert or
strengthen modern nation states and their economic and political
systems. These stereotypes have changed dramatically over the course of
the 20th century as the status of Jews has been transformed by the
attainment of de jure civic equality in liberal and socialist societies,
the Holocaust, the establishment of the state of Israel, and the rise of
multiculturalism. The panels in this area will explore the traditional
and modern stereotypes of Jews that have informed cinematic depictions
of Jews as threatening others, fellow citizens or loyal allies. It will
also examine how Jews personify various gender orientations. Possible
topics include, but are not limited to, the following:
The Jew in Christian Theology (King of Kings, The Passion, Jesus Christ
Superstar) The
Jews as Usurer (The Merchant of Venice, The Pawnbroker, The House of
Rothschild) The Jewish American Princess
(Marjorie Morningstar, Goodbye Columbus, Private
Benjamin) The Orthodox Jewish Man (The
Chosen, A Stranger Among Us, Kadosh, Crossing
Delancey)
Smart Jews (Independence Day, Bee Season, Barton Fink, Insignificance,
Quiz
Show)
Jewish Radicals (Street Scene, Daniel, Norma Mae, Running on Empty, The
Way We
Were) The
Neurotic Jew (Annie Hall, Miami Rhapsody, The Hebrew Hammer, Curb Your
Enthusiasm) Jewish Parvenus(The Apprenticeship of Duddy Kravitz,
Chariots of Fire,
Disraeli)
Passive Jews (The Diary of Anne Frank, Fiddler on the Roof, Schindler's
List)
Tough Jews (Exodus, Inglourious Defiance, Basterds, Munich, Bugsy, The
Young
Lions)
My Son the Doctor (Symphony of Six Million, The Last Angry Man, Northern
Exposure),
The Independent Jewish Woman (The Way We Were, Meet the Fokkers,
House) Images of
Israelis (Exodus, The Little Drummer Girl, Walk on Water, Waltz with
Bashir) The Jew as Athlete (His People, Body and
Soul, Chariots of Fire, Berlin
1936)
The Gay Jew (Boys in the Band, Torch Song Trilogy, Kissing Jessica
Stein, The Bird Cage)
Proposals for complete panels (related presentations) are welcome, but
they must include an abstract and contact information, including an
e-mail address, for each presenter. Please e-mail your 200 word paper
proposal or panel proposals by June 1, 2012 to:
Lawrence Baron, Area Chair, 2012 Film and History
Conference
"Jewish Monotheism in the Movies: From Abstraction to
Personification"
San Diego State University
(lbaron /at/ mail.sdsu.edu)
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