[ecrea] CFP PUNK ANTERIORS: GENEALOGY, THEORY, PERFORMANCE

CALL FOR PAPERS – SPECIAL ISSUE:

PUNK ANTERIORS: GENEALOGY, THEORY, PERFORMANCE


Revisions to the historical meaning and framing of punk have circulated
since its inception. This issue seeks to capture the performance of those
revisions, conducting a genealogical mapping of the punk movement, scenes,
music, ethics, and aesthetics utilizing queer and feminist punk analytics.
While some valuable feminist critiques of punk have surfaced – mainly to
lionize the riot grrrl movement – many uneasy questions around race, nation,
and sexuality remain unarticulated in feminist and gender performance
scholarship. The interdisciplinary articles in this issue will address the
performances and politics of these exclusions.


We are interested in the temporality and spatiality of punk performances
through a collective and archival process. We use the word “anteriors” in
the title of this issue to frame the articles that address these punk spaces
and remnants, plotting what comes before, anterior to, the telling of punk’s
narratives in two senses: first, in the temporal sense which interrogates
punk’s resistant genealogy; and, second, in the material and spatial sense
of place, bodies, and archives. What can be situated in front of the generic
narratives of punk’s beginnings and mainstays as a form of resistance? Where
do articulations of racial formation, gender, nation, and sexuality fit into
generic notions of punk origins, temporalities, and classisms? Can punk
epistemologies be used to critique punk’s exclusions?


Possible topics include:


• Race, imperialism, and punk

• Women of color feminism and punk

• Diaspora and punk

• Transnational movements and festivals

• Zines and feminist interventions

• Riot grrrl

• Underground sound and gender

• Punk, history, and ethnic studies

• Aesthetic, performance, and music

• Queer punk and other questions of sexuality in performance

• Disidentifications, performance, and punk outlaws

• Subjugated histories and punk feminism

• Art and new media performance

• Punk responses to theory and punk theories

• Supplemental spaces of punk


Women and Performance invites critical essays, short texts, book and
performance reviews, artwork, interviews, and photo essays that examine
these or other questions relevant to a critical discussion of the
intersection of punk, music, race, gender, and performance. Submissions
should be 10,000 words or less in length and adhere to the current Chicago
Manual of Style, author-date format. Questions and abstracts for review are
welcome before the final deadline. Complete essays and texts for
consideration must be submitted by July 15th, 2011. Please send all work to
Fiona Ngô and Elizabeth Stinson via email (MSWord attachment):
(ngo /at/ illinois.edu) and (stinson /at/ nyu.edu). Further submission guidelines may be
found at: http://www.womenandperformance.org/submission.html. Women and
Performance is a peer reviewed journal published by Routledge, Taylor&
Francis.


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