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[ecrea] Critical Arts 24(3) The Address of the Other - the Body and the senses

Fri Jan 28 08:00:47 GMT 2011



From 2011 Critical Arts will be publishing four times annually. Latest TOC below



Critical Arts 24(3)2010



Special Theme Issue:

The address of the other: the body and the senses in contemporary South African visual art



Guest Editor: Leora Farber

Co-editor: Ryan Bishop



Contents



Introduction



The address of the other: the body and the senses in contemporary South African visual art

   Leora Farber



Articles



Aesthetics, politics, identity: diasporic problematisations

   Couze Venn



Displacing and deflecting otherness: the subversion of the dichtomised framework of self and other in Lawrence Lemaoanaâ??s Last Line of Defence

   Mary Corrigall



Making art in the wrong place: violence and intimacy in Speak English To Me

   Brenden Leam Gray



â??Material girlsâ??: lingering in the presence of the material sublime

   Amanda du Preez



The intimate violence of Diane Victorâ??s Disasters of Peace

   Bronwyn Law-Viljoen



The trauma of conceptualism for South African art

   James Alexander Sey



Short Articles



An unrecoverable strangeness: some reflections on selfhood and otherness in South African art

   Sarah Nutall



Dressed to thrill: the Victorian postmodern and counter-archival imaginings in the work of Mary Sibande

   Alexandra Dodd



Hipper redacted

   Ashraf Jamal



Athi-Patra Ruga and the politics of context

   Anthea Buys



Keyan Tomaselli

Editor-in-Chief




Critical Arts: A Journal of South-North Cultural Studies



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Critical Arts has niched itself in terms of conceptual freshness, textured writing, and experiential analysis

which draws readers into its articles, its narrative

themes and its theoretical explorations. Articles published in Critical Arts are universal in reach while retaining a particularity of context, specificity of content and relevance of topic. We invite articles which have the potential to influence the ways in which disciplines represented by cultural and media studies think about themselves in terms of critical dialogues generated within the South-North relationship. How do people, institutions and constituencies cope within, resist and engage this relational nexus?



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