[ecrea] International Journal of Film and Media Arts. CFP: spatial storytelling / new issue online: stereoscopic and immersive media

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_New issue: The International Journal of Film and Media Arts. *Vol. 1 
No. 2 – Stereoscopic and Immersive Media*_

The International Journal of Film and Media Arts Volume: 1, Number: 2 
(2016) http://revistas.ulusofona.pt/index.php/ijfma/issue/current 
<http://revistas.ulusofona.pt/index.php/ijfma/issue/current> is now 
available online.

**

The second number of the International Journal of Film and Media Arts is 
dedicated to stereoscopic and immersive media. This issue has 
contributions from researchers, scholars and archivists working on 
visual media renowned for their stereoscopic and immersive features. The 
papers in this issue keenly reflect a diversity of approaches that 
contribute to a critical understanding of stereo and immersive media 
today in the broad context of haptic and visual media cultures, with 
topics ranging from immersive pre-cinematic media, and scientific 
stereoscopic practices, to spatial and cultural aspects of virtual travel.


*Issue Editors: *Victor Flores, Joana Bicacro

****

**

*Full Papers*

Hacking Stereoscopic Vision: the Nineteenth-Century Culture of Critical 
Inquiry in Stereoscope Use

Rod Bantjes

Between Immersion and Media Reflexivity: Virtual Travel Media in the 
19th Century

Nikita Mathias

Between the Point of View and the Point of Being: The Space of the 
Stereoscopic Tours

Paolo Parmeggiani

Stereoscopic Therapy: Fun or Remedy?

Sara Raposo

Stereoscopy in Nineteenth Century Brazil: the case of Rio de Janeiro

Maria Cristina Miranda da Silva

British Stereo Photographers in Spain: Frank M. Good

Juan A. F. Rivero

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*_International Journal of Film and Media Arts - _*_*CFP open: Vol. 2, 
No. 1. Spatial storytelling: discussing the future of cinema*_

The call for full papers and book reviews for vol. 2, no. 1 (to be 
published June 2017) on spatial storytelling is open. Visit: 
http://revistas.ulusofona.pt/index.php/ijfma/announcement/view/59 
<http://revistas.ulusofona.pt/index.php/ijfma/announcement/view/59>


Today, interactive user-oriented narrative is overtaking story 
structures traditionally linked to linear time based narrative. Unlike 
time-based media, which are often single-authored, and presented to its 
audience, digital space based narrative evolves through user motivated 
use of the media affordances in different contexts. The user, unlike the 
audience, co-creates the story while playing it, but also helps in 
reshaping the media.


For its third issue, the International Journal of Film and Media Arts 
welcomes contributions in the form of full articles that deal with the 
theoretical and empirical implications of spatial storytelling for both 
film and other media. We would particularly like to receive 
contributions that would focus on:

-          The role of spatial based narrative in the transformation of 
film form;

-          Case studies on the application of spatial narrative in 
different media namely those that cross film and videogames;

-          Spatial narrative structures and models;

-          Mix media used of spatial narrative.



*Issue editors*: Manuel José Damásio; Sylke Rene Meyer


Publication schedule

Call for papers: 21 November to *7 February 2017*. Early submission is 
highly encouraged.

Communication of decision to authors: April

Publication: *June 2017*


Submit paper here: 
http://revistas.ulusofona.pt/index.php/ijfma/about/submissions 
<http://revistas.ulusofona.pt/index.php/ijfma/about/submissions>



The International Journal of Film and Media Arts is an online semiannual 
publication, written in English and Portuguese, promoted by the Center 
for Research in Applied Communication, Culture and New Technologies 
(CICANT / CIC.Digital) and the Department of Film and Media Arts (DCAM) 
from ECATI, Universidade Lusófona de Humanidades e Tecnologias (Lisbon, 
Portugal). The IJFMA focuses on all areas of film and media arts 
research and critique, namely animation, television, media arts, 
videogames, fine arts, sound and their varied social and cultural forms 
of expression and materialisation.


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