[eccr] Fwd: Euresco conference: Philological Disciplines and Digital Technology Computational Philology: Tradition versus Innovation

>Philological Disciplines and Digital Technology
>Computational Philology: Tradition versus Innovation
>
>Chaired by
>Andrea Bozzi - CNR, Pisa, I
>  Vice-chair: Jean-Louis Lebrave - Institut des Textes et Manuscrits 
> Modernes (ITEM), Paris, F
>
>06 - 11 September 2003
>Applications by 05 May 2003
>
>The meeting will focus on the scientific production of critical editions 
>where the study sources are available in digital format. In this sense the 
>discussion created between specialists from the sector will verify if, and 
>in which way, the critical methodology will be forced to modify the 
>traditional and consolidated approach adopted or if the technological 
>instruments have not a particular impact on the methodological aspects, 
>limiting them to the provision of some new services for an old discipline.
>This conferences aim is to highlight the relationship between digital 
>technology, in particular archives of digital images from inedited 
>documents, and critical edition of old, medieval and modern texts written 
>both with alphabetical characters and non alphabetical ones 
>(hieroglyphics, cuneiform, musical).
>
>Location
>Castelvecchio Pascoli, Italy
>
>
>Participation
>Maximum 100 participants.
>Fees Eur 570-690.
>
>Some grants covering the conference fee and possibly some travel costs may 
>be available upon request. (This is an ESF type conference)
>
>A "special" poster session will be scheduled for 7-8 young researchers, 
>giving them the opportunity to react and comment on their poster.
>
>Preliminary Programme
>
>Pietro Beltrami (OVI/CNR, Florence, I)
> From textual database to dictionary: the processing and editing methods 
> designed and developed for the "Tesoro della Lingua Italiana delle 
> Origini (TLIO)"
>Edda Bresciani (Lincei National Academy & Pisa University, I)
>Technologies numériques et éditions de textes démotiques pour lancienne 
>Egypte: perspectives et limites
>Daniele Broia (Fotoscientifica, Parma, I)
>Digital instruments for multispectral examination of documents
>Giorgio Buccellati (UCLA, Los Angeles, US) and Lucio Milano ("Ca Foscari" 
>Venice University, I)
>Graphemic analysis and the "Ebla Electronic Corpus"
>Sylvie Calabretto (LISI/INSA, Lyon, F)
>Methodologie de codage dun texte pour la rècupération dinformations 
>philologiques dans des bibliothèques numériques
>M. Sofia Corradini (Pisa University, I)
>Formalisation des variantes à fins computationnelles: vérification de 
>lhypothèse expérimentale sur un texte occitan
>Maria de Las Nieves Muñiz Muñiz (Barcelona University, E)
>Bibliographie philologique et ressources informatiques appliquées à la 
>traduction de la littérature italienne en Espagne
>Yola de Lusenet (ECPA, Amsterdam, NL)
>Preservation aspect of digitizing scholarly resources
>Consuelo W. Dutschke (Columbia University, New York, US)
>Digital Scriptorium: paleography and codicology in a bright new world
>Paolo Fedeli (Bari University, I)
>Le problème de la contamination dans létablissement des textes latins
>Hans W. Gabler (Munich University, D)
>Editing manuscript writing the electronic way
>Claus Huitfeldt (Bergen University, NO)
>Text technology and critical editing
>Adolf Knoll (National Library of the Czech Republic, Prague, CZ)
>Digital access to old manuscripts
>Jean-Louis Lebrave (CNRS/ITEM, Paris, F)
>Lédition critique électronique des manuscrits modernes
>Ulrich Leisinger (Bach-Archiv Leipzig, Leipzig, D)
>Digitizing music manuscripts and prints. Defining and closing the gap 
>between images and usable data
>D. Meeuwissen and H. Scholten (Art Innovation B.V., Hengelo, NL)
>Methodology for the non-destructive, in-situ, point- and surface 
>examination of illuminated manuscripts.
>Franco Montanari (Genoa University, I)
>Textual, lexicographical and bibliographical databanks for classical philology
>Aires A. Nascimento (Lisboa University, P)
>Du texte au livre: la codicologie autant que situation du texte
>Hans J. Nissen (Freie Universität Berlin, D)
>The digitization of the archaic texts from Uruk (the oldest writing system 
>dating to the end of the 4th mill. BC)
>Peter Robinson (De Monfort University, Leicester, UK)
>How can we make editions which are truly critical and truly digital?
>Lene Schøsler (Copenhagen University, DK)
>Editorial problems, tradition and innovation, illustrated by the case of 
>"Le Charroi de Nîmes"
>Manfred Thaller (Cologne University, D)
>Editorial work as a layered process
>Dirk van Hulle (Antwerp University, B)
>Becketts poetics of process: the genesis of Stirrings Still
>Antonio Zampolli (ILC/CNR, Pisa, I)
>Information society, computational linguistics, literary and humanities 
>computing

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Carpentier Nico (Phd)
Vrije Universiteit Brussel - Free University Brussels
Studies on Media, Information & Telecommunication (SMIT)
Centre for Media Sociology (CeMeSO)
Office: C0.04
Pleinlaan 2 - B-1050 Brussels - Belgium
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E-mail: (Nico.Carpentier /at/ vub.ac.be)
W1: http://www.vub.ac.be/SCOM/smit
W2: http://homepages.vub.ac.be/~ncarpent/
W3: http://homepages.vub.ac.be/~jteurlin/Koccc.html
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