[Commlist] Journal of African Cinemas 18.2 published - Special Issue on ‘Dangerous Knowledge, Dangerous Technologies'

Intellect is pleased to present Journal of African Cinemas 18.2!


Special Issue: ‘Dangerous Knowledge, Dangerous Technologies: 
Contemporary African Artistic Practice as Disruptively Constructive Work’


Guest Editors

John Geofrey Mugubi

Kenyatta University, Kenya


Kenneth Kaplan

University of Witwatersrand, South Africa


This Special Issue of the Journal of African Cinemasemerges from the 
CARA–CILECT regional conference hosted by the Film and Television 
Department at the University of the Witwatersrand, Johannesburg, South 
Africa, under the theme ‘Dangerous Knowledge, Dangerous Technologies: 
The Power of Contemporary Artistic Practice as Disruptively Constructive 
Work’.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/journal-of-african-cinemas 
<https://www.intellectbooks.com/journal-of-african-cinemas>


Aims & Scope


The Journal of African Cinemasexplores the interactions of visual and 
verbal narratives in films from and about Africa, no matter where they 
are made. It encourages studies about production, reception and 
audiences, interpretation and theory, and history and technology. The 
journal recognises the shifting paradigms that have defined and continue 
to define African cinemas in relation to cinema everywhere, within 
diverse African languages and cultures. The editors invite papers on the 
perception and identity/identities of Africa and its peoples represented 
in film, in isolation or relation to other cinemas globally. The journal 
aims to create a forum for debate that will promote inter-disciplinarity 
between cinema and other visual and rhetorical forms of representation.


This title is indexed with Scopus and the Web of Science’s Emerging 
Sources Citation Index (ESCI).


Issue 18.2


Editorial


Special Issue: ‘Dangerous Knowledge, Dangerous Technologies: 
Contemporary African Artistic Practice as Disruptively Constructive 
Work’ <https://intellectdiscover.com/content/journals/10.1386/jac_00184_2>

JOHN GEOFREY MUGUBI AND KENNETH KAPLAN


Articles


Challenging AI in education: A feminist lens, epistemological dynamics, 
historical injustices and ethical concerns 
<https://intellectdiscover.com/content/journals/10.1386/jac_00181_1>

TANJA SAKOTA


The African cinematography toolkit: Principles for an African 
cinematography framework 
<https://intellectdiscover.com/content/journals/10.1386/jac_00183_1>

TUMISHO MAHLASE


Disruptive art and the ethics of visual deception: A critique of green 
screen technology in Mvera (2023) 
<https://intellectdiscover.com/content/journals/10.1386/jac_00179_1>

SUSAN GITIMU


Navigating technology, distribution and representation: Post-apartheid 
South African Indian filmmaking in transition 
<https://intellectdiscover.com/content/journals/10.1386/jac_00182_1>

TEMARA PREM


The uncanny as feminist film practice: Articulating femicide in the 
South African short film Short Cut 
<https://intellectdiscover.com/content/journals/10.1386/jac_00177_1>

ANGIE MILLS


Between entertainment and exploitation: Ethical challenges in Moja 
Love’s reality TV shows 
<https://intellectdiscover.com/content/journals/10.1386/jac_00180_1>

MABOGOSHI SYLVIA MATLALA


Afropolitanism and the New African Cinema: Re-imagining African identity 
in the film The Woman King 
<https://intellectdiscover.com/content/journals/10.1386/jac_00178_1>

RAMATU MUSTAPHA DADZIE


Commentary


Afro-Cuban influences in Ousmane Sembène’s The Wagoner 
<https://intellectdiscover.com/content/journals/10.1386/jac_00146_7>

CHÉRIF KEÏTA



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