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[Commlist] CfP - ReFocus: The Films of Gaspar Noé
Thu Sep 10 12:46:02 GMT 2026
*Call for Papers - **REMINDER*
/*ReFocus: The Films of Gaspar Noé*/
Edited by Florian Zappe
Edinburgh University Press ReFocus: The International Directors Series
Series Editors: Gary D. Rhodes, Robert Singer, Stefanie Van de Peer,
Nuno Barradas Jorge
Over the course of his career, Gaspar Noé has established himself as one
of the most discussed filmmakers in contemporary international cinema.
Born in Buenos Aires and based in France, Noé first attracted attention
with the short film /Carne/(1991) and his first feature /Seul contre
tous/I Stand Alone/(1998), before reaching a wider international
audience with /Irréversible/(2002). His later films, including /Enter
the Void/(2009), /Love/(2015), /Climax/(2018), /Lux Æterna/(2019) and
/Vortex/(2021), have circulated widely through international festivals
and the institutions of contemporary art cinema.
Because of their direct and explicit treatment of violence and
sexuality, Noé’s films have often been met with scandal and controversy,
and have frequently been discussed under headings such as “New French
Extremity” or “/le cinéma du corps/.” While these contexts remain
important, their focus on the transgressive and sensational aspects of
his films does not exhaust the complexity of his work. This proposed
volume for Edinburgh University Press’s /ReFocus: The International
Directors/series seeks to reassess and expand the critical conversation
around Noé’s cinema by foregrounding its aesthetic innovations,
experimental narrative strategies, and under-explored themes. The
collection will consider his feature films alongside his short films,
music videos, collaborative projects, and commissioned works, offering a
comprehensive, interdisciplinary survey of his career.
In order to ensure a broad range of perspectives on Noé’s work, scholars
of film studies and related fields such as media studies, cultural
studies, French studies, sound studies, performance studies, philosophy
and other relevant disciplines are invited to submit chapter proposals
that engage with Noé’s work from various methodological, theoretical,
historical, or philosophical angles. Contributions may concern, but are
not limited to, the following topics:
*
Analyses of individual films directed by Noé, such as /Carne/(1991),
/Seul contre tous/I Stand Alone/(1998), /Irréversible/(2002), /Enter
the Void/(2009), /Love/(2015), /Climax/(2018), /Lux Æterna/(2019) or
/Vortex/(2021)
*
Noé’s formal innovations in camera movement, duration, colour,
sound, point of view, choreography and cinematic time
*
Narrative strategies in Noé’s cinema, including reversal,
circularity, simultaneity, memory and fragmented duration
*
Noé and the /politique des auteurs/
*
Noé’s cinephilia, borrowings and dialogue with film history
*
Collaborations with Lucile Hadžihalilović and the role of /Les
Cinémas de la Zone/
*
Noé’s short films, music videos (e.g. for artists such as Nick Cave,
Placebo or Animal Collective) and commissioned work, including
/Sodomites/, /SIDA/, the Saint Laurent projects and other
non-feature work
*
Art cinema and pornography in /Love/and Noé’s /Destricted/segment
/We Fuck Alone/
*
Intoxication, drug culture, club culture and altered states in
/Enter the Void/and /Climax/
*
Gender and sexuality in Noé’s films
*
Class, politics, social resentment and milieu in /Seul contre tous/I
Stand Alone/and other works
*
Age, illness, family and care in /Vortex/
*
Performance, casting and star images in Noé’s cinema
*
Philosophical and religious questions in Noé’s films, including
time, death, secularism, materialism, spirituality and belief
*
Festival reception, criticism, censorship, distribution and
canonisation
You can find the call also here:
https://www.florianzappe.xyz/call-for-papers
<https://www.florianzappe.xyz/call-for-papers>
Please send your abstract (approx. 300 words), a short
bio-bibliographical note and any potential queries to
_*(contact /at/ florianzappe.xyz)* <mailto:(contact /at/ florianzappe.xyz)>_**by *Oct
1, 2026*.
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