[Commlist] Publication of Comparative Cinema No 26 published

*New Issue of /Comparative Cinema/*
*No. 26, vol. 14: *"Touch Screen: Imaginaries of Hapticity in 
Audiovisual Media (I)"*

The journal /Comparative Cinema/ (ISSN 2604-9821) is pleased to announce 
the publication of its issue No. 26, vol. 14, *"Touch Screen: 
Imaginaries of Hapticity in Audiovisual Media (I)"*. This issue is the 
first installment of a special dossier on the continuing relevance of 
hapticity in audiovisual media. The dossier will continue in the next, 
winter issue of the journal.

You can view the table of contents below, or browse the full issue here:
https://raco.cat/index.php/Comparativecinema/issue/view/10000000000044 
<https://raco.cat/index.php/Comparativecinema/issue/view/10000000000044>

TABLE OF CONTENTS

DOSSIER: *"Touch Screen: Imaginaries of Hapticity in Audiovisual Media (I)"*
*
*
*EDITORIAL*
*Touch Screen: Imaginaries of Hapticity in Audiovisual Media (I) 
<https://raco.cat/index.php/Comparativecinema/article/view/1000000000001556/552579>***
Brunella Tedesco-Barlocco

*FILMS IN DISCUSSION*
 From the Skin of the Film to the Digital Fold: Revisiting Haptic 
Visuality with Laura U. Marks 
<https://raco.cat/index.php/Comparativecinema/article/view/1000000000001557/552580>
Míriam Sánchez Manzano y Adrián Sánchez Martínez

*ARTICLES*
Discreet Visuality: On the Limits of (Videographic) Touching 
<https://raco.cat/index.php/Comparativecinema/article/view/980000013872/552571>
Katarzyna Paszkiewicz

La acuosidad en el cine háptico: inmersión en los vínculos masculinos de 
/Estrany riu/ (2025) y /Anoche conquisté Tebas/ (2025) 
<https://raco.cat/index.php/Comparativecinema/article/view/980000013887/552569>
Eulàlia Iglesias Huix

Visualidad háptica, lésbica y desafío al ocularcentrismo: /Water 
Lilies/ (2007) y /Retrato de una mujer en llamas/ (2019) 
<https://raco.cat/index.php/Comparativecinema/article/view/980000013875/552572>
Clara Gil Fuentes

Fish, African Rats, and the Decomposing on the White Body in the Cinema 
of Lucrecia Martel 
<https://raco.cat/index.php/Comparativecinema/article/view/980000013873/552581>
Catalina Segú

Labour of Love: Curative Affect in Maryam Touzani's Adam (2019) and Le 
blue du Caftan (2022) 
<https://raco.cat/index.php/Comparativecinema/article/view/980000013862/552573> 

C.M. Mitchel

Oír a través del cuerpo. Sonidos hápticos en /Sirat/ (2025) de Oliver 
Laxe y /Sorda/ (2025) de Eva Libertad 
<https://raco.cat/index.php/Comparativecinema/article/view/980000013886/552570>
Daniel Mourenza

Frequencies of Inequality: Audiovisual Hapticity and Intensified 
Continuity in /Neighboring Sounds/ (2012), /Get Out/ (2017) and 
/Parasite/ (2019) 
<https://raco.cat/index.php/Comparativecinema/article/view/980000010847/552575>
Rodrigo Carreiro

Pantallas hápticas: amor y soledad en el cine sinófono contemporáneo 
<https://raco.cat/index.php/Comparativecinema/article/view/9900491/552582>
Carlos Navarro González

*REVIEWS*

Campo, Javier (ed.). 2025. /Una historia del documental argentino. Tomo 
I (1896-1989) y Tomo II (1990-2024)/ 
<https://raco.cat/index.php/Comparativecinema/article/view/980000014910/552574>
Leandro Nicolas Zerbatto

/Comparative Cinema /(ISSN 2604-9821)//is an open-access publication by 
Universitat Pompeu Fabra (Barcelona, Spain) that analyzes film from a 
comparative perspective. The journal follows a double blind peer review 
process and does not charge any submission or processing fees to its 
authors.

Contact: (comparativecinema /at/ upf.edu) <mailto:(comparativecinema /at/ upf.edu)>



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