[Commlist] Film Matters 16.3 published

Intellect is pleased to present Film Matters 16.3!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-matters 
<https://www.intellectbooks.com/film-matters>


Aims & Scope


Film Mattersis an exciting peer-reviewed film magazine, celebrating the 
work of undergraduate film scholars. It is published by students and for 
students and each issue contains feature articles, a healthy reviews 
section, and occasional pieces such as profiles of film studies 
departments or resources and opportunities that undergraduate scholars 
can pursue.


Issue 16.3


Editorial 
<https://intellectdiscover.com/content/journals/10.1386/fm_00430_2>

By Liza Palmer and Tim Palmer


FEATURES


Tracing the Diasporic Experiences of Transgender and 
Gender-Nonconforming Palestinians On-screen: Cinema Fouad (1993) and 
Sultana’s Reign (2023) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00415_1>

By Aaron Jagger


Robbing the Patriarchy: Collective Female Agency in the “Femme-Heist” 
Film <https://intellectdiscover.com/content/journals/10.1386/fm_00417_1>

By John Alexander Mansilla


How Does Marilyn Monroe’s Performance in Don’t Bother to Knock (Roy Ward 
Baker, 1952) Expose the Emotional Constraints Imposed on American Women 
by the Patriarchy during the 1950s? 
<https://intellectdiscover.com/content/journals/10.1386/fm_00420_1>

By Joanna Neame


The #MeToo Vamp: Sexuality, Vampirism, and the Dismantling of Gender 
Stereotypes in Jennifer’s Body 
<https://intellectdiscover.com/content/journals/10.1386/fm_00423_1>

By Faith Spalding


Class as Currency: Wife Swap (United States) 2004-2013 
<https://intellectdiscover.com/content/journals/10.1386/fm_00424_1>

By Jennah Sutton


OSCARS DOSSIER


“For Me. For All of Us”: A Night at the Oscars in Ryan Murphy and Ian 
Brennan’s Hollywood (2020) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00425_1>

By Tom Ue


Themes, Style, and Legacy of the 2004 Best Picture Nominees 
<https://intellectdiscover.com/content/journals/10.1386/fm_00414_1>

By Megan Coakley


When Chicago Met Middle-earth: Examining the 2003 Academy Awards 
<https://intellectdiscover.com/content/journals/10.1386/fm_00419_1>

By Sarah Munro


PARIS IS FOR (CINEMA) LOVERS DOSSIER


Paris Is for (Cinema) Lovers: Introduction 
<https://intellectdiscover.com/content/journals/10.1386/fm_00421_1>

By Liza Palmer


Agnès Varda: A Gem of Paris 
<https://intellectdiscover.com/content/journals/10.1386/fm_00412_1>

By Izzie Barrett


Man Ray: Legacy and Influence 
<https://intellectdiscover.com/content/journals/10.1386/fm_00413_1>

By Holley Anne Brabble


Delphine Seyrig 
<https://intellectdiscover.com/content/journals/10.1386/fm_00416_1>

By Erica Maggio


Seen and Seeing: Agnès Varda, Paris, and the Feminist Gaze 
<https://intellectdiscover.com/content/journals/10.1386/fm_00418_1>

By Mackenzie McCarron


Jacques Demy: France’s Film Icon 
<https://intellectdiscover.com/content/journals/10.1386/fm_00422_1>

By Charlie Slattery


BOOK REVIEWS


Alan J. Pakula: Interviews, Tom Ryan, ed. (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00426_5>

By Daiyaan Hutson


Ulrike Ottinger: Film, Art and the Ethnographic Imagination, Angela 
McRobbie, ed. (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00427_5>

By Oisín McGilloway


Picturing Peter Bogdanovich, Peter Tonguette (2020) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00428_5>

By Stephen Rini


Horses of Hollywood, Roberta Smoodin (2025) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00429_5>

By K. A. Vale


FILM REVIEWS


Portrait of a Lady on Fire (2019) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00431_4>

By Khaya Barnes


The Worst Person in the World (2021) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00432_4>

By Noah Sherman


Nosferatu (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00433_4>

By Zoe Zimmerman


DVD/BLU-RAY REVIEW


Night Moves (1975) 
<https://intellectdiscover.com/content/journals/10.1386/fm_00436_4>

By Evie Rosheger


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