[Commlist] Film International: Journal of World Cinema 22.3-4 published

Intellect is pleased to present Film International: Journal of World 
Cinema 22.3-4!


Each article engages with cinema that looks beyond the usual horizons, 
whether by reclaiming overlooked figures or by reframing familiar genres 
from a fresh vantage point.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/film-international-journal-of-world-cinema 
<https://www.intellectbooks.com/film-international-journal-of-world-cinema>


Aims & Scope


Film International: Journal of World Cinemais devoted to the study of 
world cinemas, focusing on films within international and transnational 
contexts. The journal offers insights into the broader scope of cinema 
practices across the globe, both feature-length and otherwise, including 
by way of cultural comparison. It not only encourages attention to 
underrepresented regions such as the Global South, small-nation and 
minor cinemas, but also to how aesthetic choices have been made in these 
contexts.


This title is indexed with Scopus and the Web of Science’s Emerging 
Sources Citation Index (ESCI).


Issue 22.3-4


Reimagining Film International: Journal of World Cinema: Editorial, 
double issue 22.3&4 (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00272_2>

By Arezou Zalipour


On the outside looking in: Suburban aesthetics and awkwardness in New 
Zealand/Aotearoan romantic comedy 
<https://intellectdiscover.com/content/journals/10.1386/fint_00264_1>

By Harriet Idle


The other side of the moon: Alice Guy and Surrealism 
<https://intellectdiscover.com/content/journals/10.1386/fint_00266_1>

By Vanessa C. Weller


The monster as/is the doctor: Ishirō Honda’s Gojira (1954) and the 
post-imperial 
<https://intellectdiscover.com/content/journals/10.1386/fint_00262_1>

By Thomas Caffrey


Car as a home, an emotional geography and a tool of resistance in 
Iranian cinema by studying Deep Breath 
<https://intellectdiscover.com/content/journals/10.1386/fint_00265_1>

By Alireza Sayyad, Milad Sotoudeh and Sajad Sotoudeh


Realism and authenticity in Chloé Zhao’s The Rider 
<https://intellectdiscover.com/content/journals/10.1386/fint_00263_1>

By Luis M. García-Mainar


Cinesexual palimpsests: The female body as canvas and (text) in 
Malayalam cinema 
<https://intellectdiscover.com/content/journals/10.1386/fint_00261_1>

By A. P. Anupama


Book Reviews


Gerry: Movies Minute by Minute, Nicholas Rombes (2025) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00271_5>

By Constantine Verevis


Secret Violences: The Political Cinema of Michelangelo Antonioni 
1960–1975, Slawomir Masłoń (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00268_5>

By André Seewood


Experimental Cinemas in State-Socialist Eastern Europe, Ksenya Gurshtein 
and Sonja Simonyi (eds) (2022) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00267_5>

By Özgür Çalışkan


Reorienting the Middle East: Film and Digital Media where the Persian 
Gulf, Arabian Sea, and Indian Ocean Meet, Dale Hudson and Alia Yunis 
(eds) (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00270_5>

By Pınar Üzeltüzenci


Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in 
South Asia, Esha Niyogi De (2024) 
<https://intellectdiscover.com/content/journals/10.1386/fint_00269_5>

By Xiao Di ‘Janice’ Tong


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