[Commlist] Studies in Spanish & Latin American Cinemas 21.3 published - Special Issue ‘Ventura Pons: Craft, Cultural Memory and Activism’

Intellect is pleased to present Studies in Spanish & Latin American 
Cinemas 21.3!


Special Issue: ‘Ventura Pons: Craft, Cultural Memory and Activism’


Ventura Pons (1945–2024) was one of the most prolific and politically 
committed filmmakers in contemporary European cinema. Throughout a 
five-decade career, he directed 33 feature films that consistently and 
fearlessly challenged social taboos. Emerging from the independent 
Catalan theatre scene during the late Francoist period, Pons brought a 
politically charged and aesthetically distinctive voice to 
post-dictatorship Catalan cinema.


For more information about the journal and issue click here>>

https://www.intellectbooks.com/studies-in-spanish-latin-american-cinemas 
<https://www.intellectbooks.com/studies-in-spanish-latin-american-cinemas>


Aims & Scope


This peer-reviewed journal explores the cinemas of Spain and 
Spanish-speaking South, Central and North America, including the 
Caribbean and Brazil. Maximizing the opportunities for contact between 
academic disciplines such as media, film studies, Latin American, 
Hispanic and postcolonial studies, the journal encourages an 
inter-cultural and interdisciplinary focus.


Additional material hosted under https://slacextras.com 
<https://slacextras.com>.


This title is indexed with Scopus and the Web of Science’s Emerging 
Sources Citation Index (ESCI).


Issue 21.3


Editorial


‘Ventura Pons: Craft, Cultural Memory and Activism’ 
<https://intellectdiscover.com/content/journals/10.1386/slac_00148_2>

SANTIAGO FOUZ-HERNÁNDEZ


Articles


Goodbye, beloved/friend 
<https://intellectdiscover.com/content/journals/10.1386/slac_00141_1>

ANABEL CAMPO VIDAL


A friendly conspiracy 
<https://intellectdiscover.com/content/journals/10.1386/slac_00146_1>

JOSEP MARIA POU


Ventura Pons’s queer portraiture: Ocaña, Retrato intermitente (Ocaña, an 
Intermittent Portrait) and Ignasi M. 
<https://intellectdiscover.com/content/journals/10.1386/slac_00145_1>

ALBERTO MIRA


The representation of space in the early comedies of Ventura Pons: El 
vicari d’Olot (TheVicar of Olot) and La rossa del bar (The Blonde at the 
Bar) <https://intellectdiscover.com/content/journals/10.1386/slac_00147_1>

CAROLINA SANABRIA


Gendered dermographies: Caresses and touch in the films of Ventura Pons 
<https://intellectdiscover.com/content/journals/10.1386/slac_00142_1>

ANTONI MAESTRE-BROTONS


Older women do not miss the train: Female ageing and emancipation in the 
cinema of Ventura Pons 
<https://intellectdiscover.com/content/journals/10.1386/slac_00144_1>

RAQUEL MEDINA BAÑÓN


Ventura Pons’s cinema of unbelonging: Tropes of alienation, displacement 
and loneliness 
<https://intellectdiscover.com/content/journals/10.1386/slac_00143_1>

ALFREDO MARTÍNEZ-EXPÓSITO


Book Review


25 años de cine y series LGTB en España (1981–2005), Alejandro Melero 
(2022) <https://intellectdiscover.com/content/journals/10.1386/slac_00149_5>

ALFREDO MARTÍNEZ-EXPÓSITO

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