[Commlist] New double Alphaville issue published - “Coming to Latin America”

Jill Murphy, Laura Rascaroli, and Alphaville's Editorial Board are 
delighted to announce publication of a double issue of Alphaville: 
Journal of Film and Screen Media:

Issue 29–30 – https://doi.org/10.33178/alpha.2930

  “Coming to Latin America”, edited by Lawrence Alexander and Javier 
Pérez-Osorio, engages with non–Latin American filmmakers who have 
produced work in and about the continent. As the Editors explain, it 
“interrogates the foreign gaze not because it is more important than 
that of practitioners from the continent but because, rather than simply 
reproducing extractive cinematic practices, we believe these works can 
become a catalyst for new epistemic pathways.”
We invite you to follow these pathways, and the issue’s four thematic 
sections that delve into notions of sexuality, ethnography, indigeneity, 
memory, and transnationality. We also invite you to enjoy the podcast, 
in which the Editors discuss the issue in detail.
The issue also includes a dossier on “Mapping Screen Heritage”. Edited 
by Rinella Cere, James Fenwick and Danilo Giglitto, it stems from the 
conference Heritage, Community, Archives: Methods, Case Studies, 
Collaboration, held in 2023. It comprises a selection of articles and 
papers that, in the Editors’ words, “indicate the kinds of approaches 
and methods increasingly being adopted in the use of film and media 
archives and the ways in which film and media history are being reframed 
as a result.” The issue is complemented by a book reviews section edited 
by Jill Murphy.
Alphaville is a diamond open access journal that charges no fees to 
either authors or readers. We wish to acknowledge all the authors, 
editors, peer reviewers, and the colleagues at the Boole Library, 
University College Cork who contributed to this double 2025 issue of 
Alphaville.

+++

Editorial

Coming to Latin America: Moving Image Encounters, Non-Latin American 
Practitioners
by Lawrence Alexander and Javier Pérez-Osorio
https://doi.org/10.33178/alpha.2930.00
Articles
Sexuality and Queerness
Sex, Drugs, and Neocolonial Leisure: An Intermedial History and Analysis 
of Dieter Schidor’s Kalt in Kolumbien (1985)
by Juan Camilo Velásquez
https://doi.org/10.33178/alpha.2930.01
Foreign Body: AIDS, Moral Panic, and Otherness in Via Appia (1989)
by Henrique Rodrigues Marques
https://doi.org/10.33178/alpha.2930.02
Transcending Borders? Observing Lesbian Desire and Intimacy in Ruth 
Caudeli’s Porque no. (2016) and Petit Mal (2022)
by Karol Valderrama-Burgos and Georgia Fielding
https://doi.org/10.33178/alpha.2930.03
Ethnographic Encounters and Indigenous Knowledge
Fragments of Encounters: The Filmic Chronicles of Claude Lévi-Strauss 
and Dina Dreyfus in Indigenous Villages in Brazil
by Rodrigo Brum and Ana G. Coutinho
https://doi.org/10.33178/alpha.2930.04
Cosmologies of the Living Forest: For a Metabolic Documentary
by Dennis Hippe
https://doi.org/10.33178/alpha.2930.05
Father Colin MacInnes’ Work in Gleanntan Ecuador (1995)
by Maria Fernanda Miño Puga
https://doi.org/10.33178/alpha.2930.06
Displacements, Layovers, Experiments
The Other Chronicle of a Summer; or, Caribbean Layovers of Transnational 
Vérité
by Pedro Noel Doreste Rodríguez
https://doi.org/10.33178/alpha.2930.07
Displacing the Gaze: Imaging Brazil in Transnational Experimental Cinema
and Video Art
by Fábio Andrade
https://doi.org/10.33178/alpha.2930.08
Unfinished Thinking and the Unfinished Film: Feminist Filmmaking in 
Cuba, Catalunya, and Scotland
by David Archibald and Núria Araüna Baró
https://doi.org/10.33178/alpha.2930.09
Excavation and Memory
“X” Marks the What? “Cross Influence”, Extractivism, and the Labours of 
Moving Image Excavation in Harun Farocki’s The Silver and the Cross (2010)
by Lawrence Alexander
https://doi.org/10.33178/alpha.2930.10
 From Thailand to Colombia: Soundscapes of a Violent Past in 
Apichatpong Weerasethakul’s Memoria (2021)
by Javier Pérez-Osorio
https://doi.org/10.33178/alpha.2930.11
…
Dossier: Mapping Screen Heritage
Introduction
by Rinella Cere, James Fenwick, and Danilo Giglitto
https://doi.org/10.33178/alpha.2930.12
Hollywood Shuffle: The History and Impact of Maya Cade’s Black Film Archive
by Samantha Kountz
https://doi.org/10.33178/alpha.2930.13
Confronting the Empire: Militant Archival Practices in Testimonies from 
Fallujah and A Fidai Film
by Pablo Alvarez
https://doi.org/10.33178/alpha.2930.14
“My Natives to Myself”: A Critical Perspective on Ethnographic Films
by Danilo Giglitto and Rinella Cere
https://doi.org/10.33178/alpha.2930.15
Speaking With: Histories of Vietnam Explored Through Archive Film
by Esther Johnson
https://doi.org/10.33178/alpha.2930.16
Educational Film Archives: A Tool for Sustainable Tourism
by Lucia Di Girolamo
https://doi.org/10.33178/alpha.2930.17
…
Book Reviews
Edited by Jill Murphy
Albanian Cinema Through the Fall of Communism: Silver Screens and Red 
Flags, by Bruce Williams
Reviewed by Dina Iordanova
https://doi.org/10.33178/alpha.2930.18
Stardust: Cinematic Archives at the End of the World, by Hannah Goodwin
Reviewed by Min-Kyoo Kim
https://doi.org/10.33178/alpha.2930.19
Black Screens, White Frames: Gilles Deleuze and the Filmmaking Machine, 
by Tanya Shilina-Conte
Reviewed by James McFarland
https://doi.org/10.33178/alpha.2930.20
The New American War Film, by Robert Burgoyne
Reviewed by Jeremy Rafuse
https://doi.org/10.33178/alpha.2930.21
Close Encounters of the Third Kind, by Dana Polan
Reviewed by André Seewood
https://doi.org/10.33178/alpha.2930.22
Alphaville: Journal of Film and Screen Media
Open access, peer reviewed
Published in the Department of Film and Screen Media, University College 
Cork
https://www.alphavillejournal.com <https://www.alphavillejournal.com>

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