[Commlist] new book: Derrida and Film Studies

Brill is pleased to share that /Derrida and Film Studies/

<https://brill.com/display/title/72113?srsltid=AfmBOooGWLMCqh_li-GIJ678sGdEIzjnOp_tQlS2LdrNopOE0121ukHM>, edited 
by Kamil Lipiński and Andrzej Marzec

is out in e-book and hardback!


/Derrida and Film Studies/ views Jacques Derrida’s in-depth and 
meandering ideas within the realm of film. Bringing together audiovisual 
culture and deconstruction, the book explores the spectral turn of 
cinema. Seeing the phenomenon of film as impacted by deconstruction and 
poststructuralism, the essays offer a wide spectrum of perspectives and 
illustrate the reception of Derrida’s thought for a new generation of 
philosophers of film. Using both well-known and pioneering 
methodologies, this rich volume is an essential guide for understanding 
the importance of spectrality, hieroglyphics, writing and difference, 
and alterity in film.

Part of Philosophy of Film

<https://brill.com/display/serial/POF> series.


You can read the preface for

free on *our website

<file:///Users/mymac/Downloads/9789004729186-front-1-1.pdf>*


*_Table of Contents_*

*Introduction* by Kamil Lipiński

*Chapter 1:* Jacques Derrida and Cinema as a Work of Mourning by Raoul 
Kirchmayr

*Chapter 2:* 
*_<https://brill.com/display/book/9789004729186/b_9789004729186-003.xml>_*To 
Speak of Mourning or of Anything Else: The Historical Muslim Courtesan 
Film as a Work of Art at/of Mourning by Tirna Chatterjee and Prateek Rawat

*Chapter 3:* Derrida on Cinema’s Spectral Images: Time, Repetition, and 
Belief by Susana Viegas

*Chapter 4:* Infinite Responsibilities of The Grandmaster: Ip Man, 
Derrida, and Beyond by Susana Viegas

*Chapter 5:* “Vive les Fantômes!” or the Hauntology of Cinematic Image 
by Miłosz Stelmach

*Chapter 6: *Derrida, the Specters of Marx and the End of History: The 
Presence of the Ghost in Angelopoulos’ film Ulysses’ Gaze (1995) by 
Nikolaos Sarafianos

*Chapter 7:* The Post Card as a Journey of Being: Destinerrance and Film 
Interpretation by Davide Persico

*Chapter 8:*  Stupidity in The Idiots and Au Hazard Balthazar: Derrida 
on the Limits of Reason by Yonathan 
Listik<https://brill.com/display/book/9789004729186/b_9789004729186-009.xml> 


*Chapter 9:* Derrida’s “Hieroglyphic” Writing in a Palimpsestic Case 
Study by Kamil Lipiński

*Chapter 10:* What Is Reading? Absence and Presence in Silent Dialogue 
Intertitles by Tomer Nechushtan

*Chapter 11:* Asonority: Derrida in Film Sound Theory by Arzu Karaduman

*Chapter 12:* From the Oral Tradition to the Digital Text: Cinematic 
Différance in Dislocation Blues by Jack Rutherford

*Chapter 13:* The Experience of Cinema as an Experience of Ethics in 
Derrida by Mariana Almeida Pereira

*Chapter 14:* ‘Community of Vision’: Politics and Collectivity in 
Derrida’s Cinema by Cilian Ó Fathaigh

*Chapter 15:* The (Im)Possibility of Friendship in Fassbinder’s Fox and 
His Friends: A Derridean Critique by Amresh Sinha

*Chapter 16:* Cinema of Walten: Alterity and Worldhood in Lucrecia 
Martel’s The Headless Woman by Ahmet Yuce


*Bibliography*

*Index*

<https://brill.com/display/serial/VIBS>


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