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[Commlist] LFA 2025: Ghosted! Presence, Absence, and Adaptation
Fri May 02 15:37:00 GMT 2025
Call for Papers:
*LFA 2025: GHOSTED! PRESENCE, ABSENCE, AND ADAPTATION*
LITERATURE / FILM ASSOCIATION CONFERENCE
Hosted by Georgia Southern University at the DeSoto Hotel
<https://be.synxis.com/?adult=1&arrive=2025-09-24&chain=26905&child=0¤cy=USD&depart=2025-09-28&group=2509LITERA&hotel=76327&level=hotel&locale=en-US&productcurrency=USD&rooms=1>,
Savannah, GA
*Conference Date: SEPTEMBER 25-27, 2025*
*CFP Application
<https://docs.google.com/forms/d/e/1FAIpQLSe8SrqBPq6lbJ-NV06n4K_8tVy94LUCSXTbqcQlbeFsvNcnNw/viewform?usp=header> Deadline:
May 16, 2025*
Ongoing trends in arts, technology, and politics seem to insist that
ours is an era of ghostliness, caught in the increasingly fraught
relationship between absence and presence. From persistent video
conferencing to AI-generated artwork, from true crime documentaries to
ever-living franchises, from climate change to political chaos, it has
become increasingly clear that not only is the present constantly
haunted by our past, but that the very boundaries between the material
and immaterial, the past and present, the here and elsewhere are
blurring in a way they never have before. As texts that constantly
negotiate their relationships to their intertexts, adaptations may prove
to be reflective of and instructive for such times, providing
meditations on the strained connections between absence and presence.
As we gather in Savannah, GA – ranked among America’s most haunted
cities and a recent US News and World top 30 destination in the US – the
Literature/Film Association invites scholars across multiple disciplines
to meditate on the often ghostly relationship between absence and
presence in adaptation. Possible topics could include:
* Presence and absence in a variety of media, including visual arts,
games, music
* “Haunted” texts or uncanny media
* Haunted objects, places, or people and their representations in media
* Presence and absence in representations (fictional or nonfictional)
of historical events
* Ghosts, spirits, souls, and their shifting representations across media
* Theories, concepts, or frameworks that haunt the study of film and
literature (or ought to be resurrected)
* Adapting (to) digitally-mediated phenomena like “ghosting,” “dead
links,” and posthumous posting
* Hauntology as methodology
* The present or absent author/creator in the process of adaptation
* The felt absence or invisible presence of sources, authors,
characters, or cultures in adaptation
* Pedagogical practices for exploring the relationships between media
This is a multidisciplinary conference. As such, we welcome studies of
American and international cinema, film and technology, television, new
media, and other cultural or political issues connected to the moving
image as well as studies of “texts” broadly conceived, including
artworks, history, music, and dramatic performances. In addition to
academic papers and pre-constituted panels, presentation proposals about
pedagogy or from creative writers, artists, video essayists, and
filmmakers are also welcome.
Please submit your proposal, which will consist of a title, 250-word
abstract, and keywords, via this Google Form
<https://docs.google.com/forms/d/e/1FAIpQLSe8SrqBPq6lbJ-NV06n4K_8tVy94LUCSXTbqcQlbeFsvNcnNw/viewform?usp=header> by
*May 16, 2025*. You will receive a confirmation email within 48 hours.
If you have any questions or concerns, contact Amanda Konkle at
(litfilmconference /at/ gmail.com). Accepted presenters will be notified by
June 5, and a draft conference program will be available by July 15 to
enable travel planning.
The conference registration fee is $230 ($190 for students and retirees)
before September 1, 2025 and $255 ($215 for students and retirees)
thereafter. All conference attendees must also be current members of the
Literature/Film Association. Annual dues are $50.
Presenters will be invited to submit their work to the /Literature/Film
Quarterly/ for potential publication. For details on the journal’s
submission requirements, visit their website here
<https://lfq.salisbury.edu/submit.html>.
To register for the conference and pay dues following acceptance of your
proposal, select your registration and click on the PayPal “Buy Now”
button below that will take you to where you can sign in to your PayPal
account and complete the transaction. If you aren’t registering for the
conference but want to join or renew as a member, you may just pay
membership dues ($50).
The booking link for rooms at the De Soto is currently live:
Literature/Film Association
<https://be.synxis.com/?adult=1&arrive=2025-09-24&chain=26905&child=0¤cy=USD&depart=2025-09-28&group=2509LITERA&hotel=76327&level=hotel&locale=en-US&productcurrency=USD&rooms=1>,
with a rate of $209 for Thursday and $239 for Friday and Saturday.
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