[Commlist] New book: The Intellect Handbook of Documentary

Intellect is pleased to share that /The Intellect Handbook of 
Documentary/ 
<https://www.intellectbooks.com/the-intellect-handbook-of-documentary>, edited 
by Kate Nash and Deane Williams, is out in hardback.

Featuring work by key figures in international documentary scholarship 
and talented emerging scholars, the Handbook is a landmark publication 
for documentary studies in the 21st century. It tackles key topics and 
debates and the shifting practices of documentary activism and the 
professionalization of impact.

/Chapter One: Handbook of Documentary/ is available to read for free on 
our website 
<https://www.intellectbooks.com/the-intellect-handbook-of-documentary>. Check 
out more of Intellect's upcoming Handbooks here 
<https://www.intellectbooks.com/intellect-handbooks>.


*_Table of Contents
_*

 1. Handbook of Documentary – /Kate Nash and Deane Williams
    /

*Section 1: Where and what is documentary (studies) in an age of 
epistemic crisis?*

 2. Saying More about Documentary? Notes on Formation, Continuity and
    Change in the Field of Study – /John Corner/
 3. Next Steps: Post-Narrativity, Post-Truth (Post-Trump?)
    and Post-Digital is Poetry – /Alexandra Juhasz/
 4. The Documentary Disposition – /Michael Renov
    /

*Section 2: Documentary in the Anthropocene*

 5. ‘We Are Dead and We Are Going to Die’: The Apocalypse Documentary –
    /Alisa Lebow/
 6. Cinema of /Qi/: A Daoist Approach to Ecological, Sensory and
    Affective Cinema Through Vital Energy – /Kiki Tianqi Yu/
 7. The Possible Worlds of VR Documentary – /Mandy Rose/
 8. Documentary Realism in the Anthropocene – /Selmin Kara
    /

*Section 3: Audio/Visualities: Polyphony, Complexity and Representation*

 9. Reflection, Staging and Documentary Film: The Monadic
    Camera-Subject – /Fernão Pessoa Ramos/
10. Documentary Says ‘We’: Lyrical Polyphony as Practice – /Simona
    Schneider/
11. /Flee/ and the Failure of Empathy – /Annabelle Honess Roe
    /

*Section 4: Re-viewing the Ethics and Politics of Representation *

12. Shirley Clarke’s /The Connection/ and the Event of (Fake)
    Documentary – /Jaimie Baron/
13. Towards a History of the International Association of Documentary
    Filmmakers: The Congress of Algiers 1968 – /Mariano Mestman/
14. Recycling Indigenous Images: Archiveology and the National Film
    Board of Canada – /Catherine Russell/
15. Wang Bing’s Documentary Po/ethics of the Maoist Chaos and the
    Paradigm of Western Testimony: Unwitnessing, Victims, Collaborators,
    Followers, Cadres and Dissidents – /Raya Morag/
16. South Somewhere Else: Decolonising the Documentary, Cross-Cultural
    Collaborative Filmmaking in the Global South – /Deane Williams and
    Antonio Traverso
    /

*Section 5: Documentary and Politics*

17. The Case of Nuclear Documentary – /Helen Hughes/
18. Radical Civic Media: Equipe Media, Western Sahara and
    Global Documentary Ecologies – /Ryan Watson/

19. Documentary Storytelling for Social Change in the Participatory
    Media Age: Understanding Nonfiction’s Social Impact and Future
    Challenges – /Caty Borum/
20. Entertainment with a Purpose: Netflix and Documentary Today – /Annie
    Goldson/
21. Documentary-on-Demand: Researching Audience Engagements with
    (Political) Documentary on Netflix – /Kate Nash and Craig Hight/
 22. From Testimony to the Cinema of Action in the Video nas Aldeias
    Project – /Gilberto Alexandre Sobrinho/

*Section 6: Production, Distribution, Audiences: The Changing 
Documentary ‘Industry’*

23. Utility for the Utilitarian: Documentary’s Uses for Other Kinds of
    Non-Fiction Film – /Grace Russell/
24. Documentary Funding in the Age of the Streamers – /Inge Sørensen and
    Nick Higgins/
25. Audience Engagement: Streaming Factuality in the Nordic Region –
    /Annette Hill
    /

*Section 7: Digital Documentary Practices*

26. Compilationism and Digital Media: From Documentaries to Audio-Visual
    Essays – /Chiara Grizzaffi/
27. Augmented Reality Documentary – /Dale Hudson, Claudia Costa Pederson
    and Patty Zimmerman/
28. Tilting at Windmills: The Technicizing of Empathy – /Brian Winston
    with an introduction by Kate Nash/


Please visit our website for more information:
www.intellectbooks.com/the-intellect-handbook-of-documentary 
<http://www.intellectbooks.com/the-intellect-handbook-of-documentary>


---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ commlist.org)
URL: http://nicocarpentier.net
---------------