[Commlist] Publication of Comparative Cinema No. 24

*New Issue of /Comparative Cinema/*
*No. 24, vol. 13: Echoes and Reverberations: Reflections on Film Trilogies*

The journal /Comparative Cinema/ (ISSN 2604-9821) is pleased to announce 
the publication of its issue No. 24, vol. 13, "Echoes and 
Reverberations: Reflections on Film Trilogies". The issue also includes 
a special dossier with Spanish translations of essays by Christa Blümlinger.

You can view the table of contents below, or browse the full issue here: 
https://raco.cat/index.php/Comparativecinema/issue/view/32507/1187 
<https://raco.cat/index.php/Comparativecinema/issue/view/32507/1187>

_TABLE OF CONTENTS_
_
_
_DOSSIER: ECHOES AND REVERBERATIONS: REFLECTIONS ON FILM TRILOGIES_
_
_
EDITORIAL
* Brunella Tedesco-Barlocco / "Echoes and Reverberations. Reflections on 
Film Trilogies"

ARTICLES
* Gabriel Doménech González / "The outgoing employee. Ermanno 
Olmi’s 'Trilogy of Labor' (1959-1963) and its relation to Edisonvolta’s 
corporate cinema"

* Emre Caglayan / "The Wanderlust of Wim Wenders: The Tracking Shot in 
the 'Road Trilogy'"
*
*
* Marina Soler Jorge, Ana Karolina Aparecida Alves da Silva /  "The 
Slasher Trilogy /Fear Street/ in a Comparative Perspective: Between 
Intertextuality and Diversity"
*
*
* Guillermo G. Peydró /"Truth, Fiction and Lies in Eric Pauwels’ 'Cabin 
Trilogy': Forms of Autobiographical Inscription"

* Ana Aitana Fernández Moreno / "The 'Remembrance Trilogy': 
Autobiography and film memory in Terence Davies’ cinema"

* Julia Kratje / "Where Fashion Shipwrecks: On the Trilogical Form in 
Lucrecia Martel’s Cinema"

REVIEWS
Juan M. Pardo / "Loock, Kathleen. 2024. Hollywood Remaking. How Film 
Remakes, Sequels, and Franchises Shape Industry and Culture. Oakland: 
University of California Press. 300 pp."
*
*
_DOCUMENT DOSSIER: "TEMPORALIDADES DEL CINE DE LO REAL"_
_
_
Christa Blümlinger / "Temporalidades del cine de lo real"

Christa Blümlinger / "El corte como desafío al tiempo real"

Christa Blümlinger / "El devenir-archivo de una película de posguerra: 
/Aubervilliers/ (1946) de Eli Lotar"

Christa Blümlinger / "De cómo, en Agnès Varda, pintura y fotografía se 
suben a la barca del cine"

Christa Blümlinger / "Encuadrar, esconder, hacer aparecer. Proyecciones 
de Mark Lewis"

Christa Blümlinger / "La cocina según Akerman: lugar de cruces"

/Comparative Cinema /(ISSN 2604-9821)//is an open-access publication by 
Universitat Pompeu Fabra (Barcelona, Spain) that analyzes film from a 
comparative perspective. The journal follows a double blind peer review 
process and does not charge any submission or processing fees to its 
authors.

Contact: (comparativecinema /at/ upf.edu) <mailto:(comparativecinema /at/ upf.edu)>


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