Archive for February 2025

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[Commlist] Open Screens Volume 7.1 published

Thu Feb 27 09:16:52 GMT 2025




The Editorial Team at Open Screens is delighted to announce that our 7.1 issue is now out!: https://www.openscreensjournal.com/issue/1296/info/

This is a rolling issue and more pieces will be added in the upcoming weeks. In the meantime, you can find the following articles and pieces:

Unorthodox and disobedient Jewish cosmopolitans on our screens: The case of Unorthodox (Schrader, Winger, 2020), by Deborah Shaw
https://www.openscreensjournal.com/article/id/9554/

Structuring the personal in Life-Work, by Fraser Cornall (Practice Research)
https://www.openscreensjournal.com/article/id/15285/

Suffocated But Screaming, by Alison Peirse (Practice Research)
https://www.openscreensjournal.com/article/id/18374/

Book Review: Annie Ring, The Lives of Others (Das Leben der Anderen), (London: Bloomsbury Publishing, 2022), by Lauren Cuthbert
https://www.openscreensjournal.com/article/id/10512/

Book Review: Cecilia Sayad, The Ghost in the Image: Technology and Reality in the Horror Genre (New York: Oxford University Press, 2021), by Ami Nisa
https://www.openscreensjournal.com/article/id/10549/

Book Review: Chris Pallant, Beyond Bagpuss: A History of Smallfilms Animation Studio (London: BFI, 2022), by Thomas Evans
https://www.openscreensjournal.com/article/id/16717/

Book Review: Chris Pallant and Christopher Holliday (eds.), Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy (London and NY: Bloomsbury, 2022) by Neil Archer
https://www.openscreensjournal.com/article/id/18424/

Roundtable: A film-maker not a note-taker: a roundtable discussion on the craft of script supervision, by Melanie Williams
https://www.openscreensjournal.com/article/id/18267/
Open Screens is the open-access journal of the British Association of Film, Television and Screen Studies (BAFTSS). It is international in scope and encourages innovative contributions from scholars of screen-based media and researcher-practitioners worldwide. Its published material embraces the historical and the contemporary, and it will consider submissions from film, television, screen and media studies, as well as related disciplines such as area studies, gender & sexuality studies. It publishes articles, essays, reports, debates, reviews, videoessays, podcasts and research-by-film-practice. Open Screens is part of the Open Library of Humanities, an open-access platform free to authors. Open Screens is indexed in ScienceOpen, Chronos, SherpaRomeo, Google Scholar and DOAJ, among others, and is currently in the process of being added to Scopus and ProQuest. Find further information on this here. Thank you for your continued support and interest in Open Screens.


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