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[Commlist] cfp: Apparatus: The Role of Technology in Illustration
Sat Dec 07 12:50:14 GMT 2024
Call for Conference papers and contributions
Apparatus: The Role of Technology in Illustration
15th International Illustration Research Symposium
21–22 November 2025, Koç University, Istanbul
Machines, appliances, gizmos, and contraptions have always been a part
of illustration, enabling illustrators to transform their thoughts into
real-life forms. The machine’s abilities, aesthetics, and impacts on
humanity have always been a source of inspiration and concern. With the
discussion raging around artificial intelligence as a game-changing
technology, and when computers seem to inextricably serve as parts of
creation and of our lives, perhaps it is time to take stock and consider
the long-established but fluctuating relationship between illustration
and the machine.
From the industrial printing press (once considered the most advanced
and disruptive technology) to a symbol of artisanal craftsmanship, from
the camera obscura to smartphones—within illustration, machines are not
only an integral part of the process of creation but also, within
reproduction and distribution, they have a defining role in actualising
and professionalising the illustrator’s work. Throughout time, analogue
and multimedia devices have offered new image–text relationships,
bringing new modalities to illustration such as movement, touch and
sound. The digital has offered data visualisation, calculated
modulation; and access to nano and macro worlds, expanding the
illustrator’s visual language and scope. Self-made contraptions, and
emergent technologies such as digital lenses and wearables open new
avenues for innovative visual experiences. Illustrators, by applying
their creative visual knowledge and participating in the innovation of
scientific tools, have expanded the possibilities of machines. The long
history of illustrating machines not only shows the art of technical
drawing, but also our aesthetic fascination with them.
On the other hand, the technological drive towards progress has also
created wasteful obsolescence and loss of knowledge and traditions. The
potential for overtaking human creation, alongside the restricting
impact of machine technology, should not be overlooked, especially when
considered in relation to the authority held by creative-technology
developers. Who controls who, the illustrator or the apparatus,
particularly in this era of boundless growth of new technologies? The
often-celebrated handmade quality, aura of authenticity and personal
“voice” contribute to a distinctly humanizing presence in illustration.
Subconsciously, or perhaps consciously, this evokes a desire for the
/absence/ of the machine. Ironically, the very machines that
illustrative practices have oftentimes resisted can now come close to
replicating this human-like quality artificially.
For the 15th International Illustration Research Symposium on Apparatus
& Illustration, we invite papers and posters that demonstrate, expand
upon, and discuss the question: As the terrain of the apparatus expands,
how does illustration define its relationship with the machine? How have
machines and their technologies empowered or undermined the illustrator?
How have machines enabled, defined or restricted new and exploratory
creative processes and ways of thinking, in the past, present and
future? Can a machine actually make illustrations? What can we take away
from machine-made illustrations? Can a machine be an illustration? Can
illustration be a machine?
Possible topics in relation to the questions may include:
Devices, gears, machines, technologies, contraptions and gizmos
Illustration machines
Machines as illustration
Emerging technologies and tools
Perception through machines
Machine eyes
Craft and craftsmanship
Machine-aided illustration
Current and historical technical illustration practices
Representation of machines
Use of creativity in scientific visualisation practices
Culturally located creative practices
Global cultures and practices
Machines, creativity and ethics
Machine and creative ownership
Machine learning and artificial intelligence
The role and power of the machine
Impact of machine usage
Call for Papers and Posters
The call for papers and poster proposals is now open: please submit your
interest by 23 March 2025.
All submissions should be in .pdf format and emailed to:
(ialaca /at/ ku.edu.tr) (subject line: 15th International Research Symposium)
To submit a paper proposal, include:
• Working paper title
• A 300-word written proposal detailing how the paper relates to the
symposium themes
• 3 images maximum
• 100-word biography and affiliation
To submit a poster proposal, include:
• Working poster title
• 150-word written proposal detailing how the visual work relates to the
symposium themes
• 5 images maximum (from your own practice and/or research)
• 100-word biography and affiliation
Posters will be exhibited alongside the symposium. Posters can be fully
illustrational. Format specifications and practicalities for poster
printing and display will be shared after the submission deadline has
passed.
We welcome proposals for presentation and exhibition of portable
machines, or visual representations of machines such as illustration
artwork, photographic or moving images. You can also submit works that
challenge the traditional understanding of tools and machines within
illustration-focused projects. Do note that the possibility for
exhibition of physical machines is restricted and the costs of transport
and installation cannot be covered. Feel free to contact us for more
details.
Convenors:
Ilgım Veryeri Alaca, Koç University, Türkiye
Nanette Hoogslag, Cambridge School of Art, Anglia Ruskin University, UK
Dilek Yördem, Mimar Sinan Fine Arts University, Türkiye
For more information please contact (ialaca /at/ ku.edu.tr) (subject line: 15th
International Research Symposium)
Weblink:
https://kuarc.ku.edu.tr/research-symposium/#tab_html_018c25bd921c84b522c970ddddd5ae00
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