[Commlist] French Screen Studies 24,i, French Television Then and Now, published

The latest issue of /French Screen Studies/, 24:i, a Special Issues on 
‘French Television Then and Now’, has been published and is available 
here <https://www.tandfonline.com/toc/rsfc21/24/1>. It contains the 
following articles.


**

*Editorial*
Special issue: French television then and now 
<https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq2Y6MdAyQ17-2BnWCG-2BkDRzjf-2Fsz9-2FglMq8p75farMWJr3SO9YK1Z8abDqWnKoA-2F4hOEiXADpSSz8ldwgpe6huSMVsow-_xy9LJY5muf-2BtXPiQa52LeSdly3krH7RigwQaJKSSPA-2FHTRwClzhLkjKacRyq8527zMUQ6T1N7MrgorTPUU-2FjDic-2BttFeYTl6yU-2F3h7MFbaVKwijJJSogmX-2FDxvuRMj3PHZ7m49utCLc5ijm6e-2BAB9yJSQapQbqYzdGCAvZ-2B6Ct2LiU08b8hmbkYoo4JY4h-2BXOSulG0m8GsHTEpfc5mQQdsAL-2FoS-2Bb8RQPi6kKmjdrtq4oNmTIq4PqvOi-2FMMAzR9AApin2YbDJFQQ3Y-2B74LGH-2Fx4yH-2Fe40ZfJCwC-2BNg4KJ96d5WGWdsbBUIi2E-2BoZwbdM>
Ben McCann
Pages: 1-16 | DOI: 10.1080/26438941.2023.2292405

*Research Article**s*
Agnès Varda : la cinéaste de la Nouvelle Vague vue par le petit écran 
<https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq2Y6MdAyQ17-2BnWCG-2BkDRzjf-2Fsz9-2FglMq8p75farMWJr3f6SL79uZt2end6NR4xQo90BTg8YjXQBlHsW55Y1UfgboJYq_xy9LJY5muf-2BtXPiQa52LeSdly3krH7RigwQaJKSSPA-2FHTRwClzhLkjKacRyq8527zMUQ6T1N7MrgorTPUU-2FjDic-2BttFeYTl6yU-2F3h7MFbaVKwijJJSogmX-2FDxvuRMj3PNuvBZaHcbQhL00pX0kq-2Bf-2BmY6pMPzl8ckm886klK1PKpqoMQgu7w4sg9qkV-2F1nIzIPcK8dhCyuOAJHQaCJa-2B4zwAkvZgSJChp1IFK7C9-2FowlzoPfhNs-2F1tsBsh9hjVCsA4ryS-2FrA6JcnbGZzrT-2BCbmSfnhnOBoiaXcMNNp-2FmdbYrQbz5FatQ-2BiPgRPiMDu2R>
Florence Tissot
Pages: 17-33 | DOI: 10.1080/26438941.2023.2256088

Myth, memory and Maison close: representing sex work on screen 
<https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq2Y6MdAyQ17-2BnWCG-2BkDRzjf-2Fsz9-2FglMq8p75farMWJr3X8dmniJW5a43kZ-2FRRS9Pryat7Xfr8ZNoHasyaLiUChBYwhx_xy9LJY5muf-2BtXPiQa52LeSdly3krH7RigwQaJKSSPA-2FHTRwClzhLkjKacRyq8527zMUQ6T1N7MrgorTPUU-2FjDic-2BttFeYTl6yU-2F3h7MFbaVKwijJJSogmX-2FDxvuRMj3Pm8NvWCcvENRH2smwtWgAbL45tfHg6mBez84PBuFk-2FGaLCzCtOKOz-2Be-2B36jx69wpL2HF1S8kSmZpG60ONaCfiviNRgNvBwe7FLYxXwW3bZWQ3ycWDogvdCgQfVY7b6NXEbj6eKVXeknZHovqOcm4Ei3ykOJsjHDwkcy05ih4B-2F4-2B-2BStoyX4Vwykl7FLzrGYxp>
Will Visconti
Pages: 34-51 | DOI: 10.1080/26438941.2023.2183595


‘On n’est pas dans Black Mirror’: ambivalent optimism in Osmosis 
<https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq2Y6MdAyQ17-2BnWCG-2BkDRzjf-2Fsz9-2FglMq8p75farMWJr3Z-2BQbLvRSkw88AaVdmD0DG3cQnYbA3RSPSWPxeJaTMHoqEmi_xy9LJY5muf-2BtXPiQa52LeSdly3krH7RigwQaJKSSPA-2FHTRwClzhLkjKacRyq8527zMUQ6T1N7MrgorTPUU-2FjDic-2BttFeYTl6yU-2F3h7MFbaVKwijJJSogmX-2FDxvuRMj3P7lec6SzOr8Z2AYpZP-2BJ0Xj-2Fku1Jmxouin7nMjyf6AkxJiVJVQ-2BrPmp2FOowV81-2BYPZ7AyBvLCZnfn-2F-2BpDhF9Mxm4L4ocLFgbXTX2ZsNeZKH-2BcFU-2FZwBADYFlToHO1wukCwBRbHhByq1CulvWiLdzkRpMYAAZeVbtgmYtnCPVwm2yLQ34rTSYLmI0uETfa-2Fze>
Paul Scott
Pages: 52-70 | DOI: 10.1080/26438941.2022.2110747


Hearing the music of Engrenages 
<https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq2Y6MdAyQ17-2BnWCG-2BkDRzjf-2Fsz9-2FglMq8p75farMWJr3fOg7RIMOZkVTIoUaBRiodXaJs9Lk2vOWYTaK-2BjKvfq8KPVO_xy9LJY5muf-2BtXPiQa52LeSdly3krH7RigwQaJKSSPA-2FHTRwClzhLkjKacRyq8527zMUQ6T1N7MrgorTPUU-2FjDic-2BttFeYTl6yU-2F3h7MFbaVKwijJJSogmX-2FDxvuRMj3PB5H-2FUFeH6gW3M3Bjf9pTTKpy5Xhd9voLzZxyNTCLcCaHMGz1H5lnoT4xv-2FP2WDeZdeQvlN3yOp9QYIPB2vj3G2TOLENIzExj5nm2YXNSQlno-2FadxNh6lDQlhsVN3T4jzFjlaRfgklMSqK-2BhM4AgNHQnU6sbNi8zsNf4vXDoUfM6KhRejqCTv3vcGbkiSVTwW> | 

Phil Powrie
Pages: 71-92 | DOI: 10.1080/26438941.2023.2213009


From Bron to The Tunnel: localising international television formats 
<https://url6649.tandfonline.com/ls/click?upn=odl8Fji2pFaByYDqV3bjGMQo8st9of2228V6AcSFNq2Y6MdAyQ17-2BnWCG-2BkDRzjf-2Fsz9-2FglMq8p75farMWJr3TWKBuQGFlitUMo-2FulkFHYyTz-2BDi0eXJqqGrmyCxz5aQTu_b_xy9LJY5muf-2BtXPiQa52LeSdly3krH7RigwQaJKSSPA-2FHTRwClzhLkjKacRyq8527zMUQ6T1N7MrgorTPUU-2FjDic-2BttFeYTl6yU-2F3h7MFbaVKwijJJSogmX-2FDxvuRMj3P8hsypr6efhNUL2prUkbTZniBXd7rbrUjIfh9-2FJJd74LbtgdCgAi-2BYiALTHZ84axX2-2BHJyykrh-2FW3Owu-2BA8wcRIQ2xq1eVYxQHsqmvzRZiPrlteQ2RhJcA9Z1qEdAmRY-2FK-2BKDhk9j1wHXVWy1gSC3v3KylLOjPKkCxc1HIGL2-2Brdl73KeDFzdkATm8IEkxPr0>
David Pettersen
Pages: 93-109 | DOI: 10.1080/26438941.2023.2213010


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