Archive for June 2023

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[Commlist] Special issue Comunicazioni Sociali 1/2023 published

Fri Jun 09 16:55:09 GMT 2023




We are pleased to announce that the latest issue of Comunicazioni Sociali is out and open access. The 1/2023 special issue, titled “Gender and labour in the Italian audiovisual industries. Critical research approaches and methods”, is co-edited by Rosa Barotsi (University of Modena and Reggio Emilia), Gloria Dagnino (University of Udine) and Carla Mereu Keating (University of Bristol).

For accessing the special issue and for more information about the journal see >> https://comunicazionisociali.vitaepensiero.com/scheda-fascicolo_contenitore_digital/rosa-barotsi-gloria-dagnino-carla-mereu-keating/comunicazioni-sociali-2023-1-gender-and-labour-in-the-italian-audiovisual-industries-critical-research-approaches-and-methods-001200_2023_0001-395359.html
Aims & Scope:

Comunicazioni Sociali is an international double-blind peer reviewed journal. Established at the Catholic University of the Sacred Heart (Milan, Italy) in 1966. The journal hosts monographic and miscellaneous issues on a variety of topics in the performing arts, film, radio, television, journalism, advertising, and digital media. The journal welcomes interdisciplinary perspectives and promotes rigorous debates on theory, history, critical analysis of media production and consumption, also from ethical and anthropological points of view. Comunicazioni Sociali and is A-class rated journal by ANVUR (Italian National Agency for the Evaluation of the University and Research Systems) in three academic disciplines: Cinema, photography and television (L-ART/06), Performing arts (L-ART/05), and Sociology of culture and communication (SPS/08).
Comunicazioni Sociali is indexed with Scopus.

Special issue 1/2023
Table of contents:

Introduction. On Method Building: A Half-Century of Research on Gender and Labour in the Italian Audiovisual Industries. ROSA BAROTSI - GLORIA DAGNINO - CARLA MEREU KEATING Paola Ojetti and Maria Basaglia: Two Women Workers in Fascist Italy’s Cultural Sector. MICHAEL GUARNERI - STELLA SCABELLI Women in Italian Film Production (1949-1976): Mid-Management Roles as Seen through Anica Data and Oral History. MARIA IDA BERNABEI “Una ragazza che si arrangia:” Notes on the Film Producer Marina Piperno. CHIARA GRIZZAFFI Women Working in Radio. Methodological Approaches Comparing Italy and the International Context. MARTA PERROTTA Women’s Labour in TV Series Production: A Comparative Analysis of Italian Generalist TV and Pay Platforms (2016-2019). MARTA ROCCHI Unsuitable Jobs for Women. Women’s Behind-the-Scenes Employment and Female On-Screen Representation in Italian TV Crime Drama. VALENTINA RE - MARICA SPALLETTA

Heaven Can Wait? Gender (Im)balance in Contemporary Italian Film Crews. MARIAGRAZIA FANCHI - MATTEO TARANTINO - ROSA BAROTSI Relational Feminist Practices On- and Off-Screen: The Case of Amanda (2022) and Giulia (2021). BERNADETTE LUCIANO
Best Regards,
Rosa Barotsi <(rosa.barotsi /at/ unimore.it)> Gloria Dagnino <(gloria.dagnino /at/ uniud.it)>
Carla Mereu Keating <(c.mereukeating /at/ bristol.ac.uk)>


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