[Commlist] French Screen Studies 23.i - publication announcement

We are delighted to announce publication of the latest issue of /French 
Screen Studies/, 23.i:


*Volume 23, Issue i**French Screen Studies: Vol 23, No 1 
(tandfonline.com) <https://www.tandfonline.com/toc/rsfc21/23/1>***

  * SarahCooper, ‘Performing vulnerability: hand in hand with /Les
    Enfants d’Isadora/’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2021.2022359&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=VE072OFGvGGeo3FsfFhj1xO0Fh5n8mnLuDDDXUKRmKg%3D&reserved=0>

  * Karolina Westling, ‘Intergenerational injustice in a Parisian
    /banlieue/. Ladj Ly’s contemporary reframing of /Les Misérables/’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2022.2057667&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=9o2PDatDrbw8N7QD113V3S6P2EeqErKMCz8chyKS8CQ%3D&reserved=0>
  * Reece Goodall, ‘What makes a major? Recent books on French studios’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2022.2033476&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=nf7UW9hmdR405FwvycvXmnk07QiG%2BvTILNPEmkZ7fCo%3D&reserved=0>
  * Marion Hallet,‘Bibliography for French and francophone cinema and
    television 2022’
    <https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2160075>

_'French Film Studies in Australia' Special Dossier guest edited by Ben 
McCann _

  * Ben McCann,‘Editorial: French Film Studies in

Australia’<https://www.tandfonline.com/doi/full/10.1080/26438941.2022.2160073>

  *
    Greg Hainge, ‘Rapt in (destructive) plasticity: /Demonlover/ and the
    annihilation of cinematic form’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2021.1935561&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=iwI0DFNdbGDRBVPi9DbHuaDFK53SZF6yOy5OTS8RuO4%3D&reserved=0>
  * Felicity Chaplin, ‘A marriage of life and art: the celebrity
    coupledom of Charlotte Gainsbourg and Yvan Attal’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2022.2057666&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=hvgg3xcUv0eCsXMdfPfxqf0RaJjc75%2FMq1ZdltXuSrk%3D&reserved=0>
  * Joe Hardwick, ‘Undressed to kill: knowing, reading and connecting in
    Alain Guiraudie’s /homme fatal/ thriller /L’Inconnu du lac/’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2022.2035506&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=MuxGVEzc1Hung6hSLXOLJVGkB5O9KKDUi6yRUgu%2FbUQ%3D&reserved=0>

  * Gemma King, ‘Cinéma-monde, Jacques Audiard’s /Les Frères
    Sisters/ and the limits of national cinemas’

<https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.tandfonline.com%2Fdoi%2Ffull%2F10.1080%2F26438941.2021.2003109&data=05%7C01%7Csarah.cooper%40kcl.ac.uk%7C49bc573b391445bebd6808db0a046648%7C8370cf1416f34c16b83c724071654356%7C0%7C0%7C638114786237727741%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&sdata=NDbEZSu1jlm3b6aLOIOfDs661XABYh6kFWdPiuZLX%2BE%3D&reserved=0>



---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ commlist.org)
URL: http://nicocarpentier.net
---------------