Archive for December 2022

[Previous message][Next message][Back to index]

[Commlist] new articles published in Movie: A Journal of Film Criticism, issue 10

Sat Dec 17 09:49:27 GMT 2022





It is Lucy Fife Donaldson's pleasure to announce that the current issue of /Movie: A Journal of Film Criticism/ continues with the launch of a new dossier: The politics of close analysis, and its object and further additions to the V.F. Perkins dossier initiated in August: https://warwick.ac.uk/fac/arts/scapvc/film/movie/ <http:// https://warwick.ac.uk/fac/arts/scapvc/film/movie/>

The politics of close analysis, and its object features the following articles:

Introduction <https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/movie_issue10_introductiontopoliticsdossier.pdf> - Lucy Fife Donaldson and Lisa Purse

Eileen Rositzka, 1988-2021 <https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/movie_issue10_eileenrositzka.pdf> - Lisa Purse and Lucy Fife Donaldson

The spirits of African cinema: redemptive aesthetics in Mati Diop's Atlantics <https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/movie_issue10_spiritsofafricancinema.pdf> - Rosalind Galt

Tracing the threads of influence: George Hoyningen-Huene and Les Girls (1957) <https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/movie_issue10_tracingthethreads.pdf> - Lucy Fife Donaldson

No compromise: Jan Němec's rough diamond <https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/movie_issue10_nocompromise.pdf> - Anne Rutherford

Roundtable: Movie: A Journal of Film Criticism and the past, present, and future of film criticism <https://warwick.ac.uk/fac/arts/scapvc/film/movie/contents/movie_issue10_roundtable.pdf>

This dossier will continue to be open to submissions to be published in future issues. https://warwick.ac.uk/fac/arts/scapvc/film/movie/submissions/ <https://warwick.ac.uk/fac/arts/scapvc/film/movie/submissions/ >

Call for Papers: The politics of close analysis, and its object

What should be the object of writing on film and television aesthetics at this contemporary moment? Public reflection on the relationship of cultural representation to historical and current power structures that oppress particular peoples and communities has recently gathered pace and prominence. This activist moment reposes pressing questions about who gets to make films and television, who gets to write criticism, and which films, television shows and their makers should be examined and celebrated as the object of analysis. The form of rigorous analysis often present in the pages of Movie is attentive to style not as natural or neutral, but meaningful and engaging with questions of representation, of race, gender and class. In this dossier, we invite contributions which give voice to and reasoned evaluation of figures, communities, and films or television that have traditionally been marginalised in critical analysis and culture, and in wider cultural discourse. We seek to reject what So Mayer and Ania Ostrowska (2015) have called ‘the perception of scarcity’ that such has so often framed and perpetuated marginalisation, and embrace the prompt to ‘celebrate and participate in [the] plenitude’ of marginalised films and filmmakers instead (ibid).


---------------
The COMMLIST
---------------
This mailing list is a free service offered by Nico Carpentier. Please use it responsibly and wisely.
--
To subscribe or unsubscribe, please visit http://commlist.org/
--
Before sending a posting request, please always read the guidelines at http://commlist.org/
--
To contact the mailing list manager:
Email: (nico.carpentier /at/ commlist.org)
URL: http://nicocarpentier.net
---------------




[Previous message][Next message][Back to index]