Archive for July 2022

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[Commlist] Short Film Studies 12.1 published

Wed Jul 13 10:51:36 GMT 2022





Intellect is pleased to announce that Short Film Studies 12.1 is out now!


For more information about the journal and issue click here>>

https://www.intellectbooks.com/short-film-studies <https://www.intellectbooks.com/short-film-studies>


Aims & Scope


The primary purposes of SFSinclude the following:

• to provide a resource that enables short film appreciation and study for instructors, scholars, critics, students and filmmakers;

• each issue includes a focus on a theme, director or other topic of relevance to short film and media studies;

• each issue showcases a selected short film with an interview with the filmmaker; and

• SFS also observes an open Call for Papers to encourage submissions from scholars, critics and practitioners that reflect their own research interests.


SFS’s principal focus is on short fiction films, with additional attention to non-fiction, commercial/non-commercial and other narrative shorts, as well as to short form filmmakers, genres, festivals and curation. The aim of SFS is to reflect the inclusivity of short form media and filmmakers, and the variety of scholarly and critical approaches that are relevant to the form.


Issue 12.1


Editor's Introduction <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00001>

CYNTHIA FELANDO


No Bikini


Data on the film and the director <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00002>

CYNTHIA FELANDO


A schematic breakdown of No Bikini <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00003>

CYNTHIA FELANDO


Screenplay for No Bikini <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00004>

CLAUDIA MORGADO E. AND IVAN E. COYOTE


Storyboard for No Bikini <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00005>

STU WENSCHLAG


An interview with Claudia Morgado E. on No Bikini <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00006>

MICHELE MEEK


Enjoyment and alienation of an embodied life <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00007>

FLORENTINA C. ANDREESCU


Agnès Varda’s Shorts


Historicity and photography in Salut Les Cubains <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00008>

BRITTANY MURRAY


Agnès Varda’s cinematic writing as political art in Black Panthers <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00009>

RICHARD MCLAUGHLIN


Manufactured memory and the still photograph: Agnès Varda’s short films Ydessa, les ours et etc…(Ydessa, The Bears and etc…) (2004) and Ulysse(1983) <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00010>

JULIA ERHART


Beside Du Côté de la côte(1958): Agnès Varda’s early applied cinephilia <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00011>

TIM PALMER


Teaching L’Opéra-Mouffe(1958) <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00012>

COLLEEN KENNEDY-KARPAT


Short Films: History/Criticism/Theory


Beyond documentary: Alanis Obomsawin’s cinematic worldview <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00013>

CAITLYN DOYLE


Germinating the Ant Plant <https://www.ingentaconnect.com/contentone/intellect/sfs/2022/00000012/00000001/art00014>

GREG DOLGOPOLOV


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