[Commlist] Cinéma & Cie vol. 22 n. 38 published

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Cinéma & Cie is happy to announce its new issue is available on our website.

For more information about the journal, including call for essays, click 
here

<https://www.cinemaetcie.net/ <https://www.cinemaetcie.net/>>

Aim of the Journal

Cinéma & Cie is an international, peer-reviewed academic journal. 
Published from 2001, it supports innovative perspectives and 
groundbreaking methodological approaches in the fields of film and media 
studies as well as screen cultures. Since 2021, Cinéma & Cie is an Open 
Access Journal.


Vol. 22 n. 38 - Gestalt Filmology: Insights on Form and Embodiment in 
the Film Experience, edited by Adriano D’Aloia and Ian Verstegen

Recent advancements in the encounter between media studies and the 
cognitive sciences raises the possibility of re-launching some of the 
assumptions of Gestalt psychology as productive insights for film 
theory, analysis, and criticism. ‘Gestalt Filmology’ would be a body of 
knowledge taking hints from Rudolf Arnheim’s pioneering film theory but 
anchored in core Gestalt ideas about the multimodal functioning of the 
senses, motion and ego-perception and resulting filmic expressiveness 
and symbolism. Elaborated in this way, a Gestalt Filmology might be able 
to offer suggestions and correctives to an ‘embodied cognition’ and 
‘neurofilmological’ approach in visual media studies. This special issue 
of /Cinéma /& /Cie /connects together elements of Arnheim’s thought from 
different periods of his career. It bolsters Arnheimian ideas with 
research strains from general gestalt-theoretical psychology, and it 
brings elements of those same Gestalt-theoretical traditions to parts of 
film theory that Arnheim never touched.


The Future of the Past. Arnheim and Film Today

Adriano D’Aloia, Ian Verstegen

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17977 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17977>>

The Meaning Potential of Motion Vectors in Cinema

Maarten Coëgnarts

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16785 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16785>>

A Gestalt Theory for ‘Disorder’: From Arnheim’s Ordered Chaos to 
Brambilla’s Entropic Art

Maria Poulaki

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17087 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17087>>

Gestalt, Animation, and the Culture of Design

Ryan Pierson

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17107 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17107>>

Paul Fraisse’s Psychology of Rhythm: A Case for Filmology?

Massimo Locatelli

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17202 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17202>>

The Aha,Ha! Moment: A Gestalt Perspective on Audiovisual Humour

Emilio Audissino

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16912 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/16912>>

Beyond Cinema Section

Rhythm Beyond the Cinematic Medium/The Pixel Beyond the Movie Theatre

Sharon Jane Mee

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17923 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17923>>

Reviews

Daniel Morgan, The Lure of the Image: Epistemic Fantasies of the Moving 
Camera, Oakland: University of California Press, 2021, 244 pages

Antonio Patrick D’Amico

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17978 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17978>>

Enfin le cinéma! Arts, images, spectacles en France (1833 –1907), ed. by 
Dominique Païni, Paul Perrin, Marie Robert, Paris: Musée d’Orsay / 
Réunion des Musées Nationaux –Grand Palais, 2021, pp. 331

Anna Franceschini

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17979 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17979>>

La haute et la basse définition des images. Photographie, cinéma, art 
contemporain, culture visuelle, sous la direction de Francesco Casetti 
et Antonio Somaini, Milano-Udine: Éditions Mimésis, 2021, pp. 363

Andrea Pinotti

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17980 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17980>>

Projects & Abstracts

Ph.D. Thesis Abstract - A World of Imprints: The Epistemology of Visual 
Evidence Between Digital and Virtual Media-Ecologies

Rosa Cinelli

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17982 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17982>>

Ph.D. Thesis Abstract - In-Transit Televisions: Productive Patterns and 
Urban Imageries of Mobility

Emiliano Rossi

<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17981 
<https://riviste.unimi.it/index.php/cinemaetcie/article/view/17981>>

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