[Commlist] Short Fiction In Theory and Practice 11.1-2 published - Special Issue: ‘More than Meets the Ear: Sound and Short Fiction’

Intellect is pleased to announce that Short Fiction in Theory and 
Practice 11.1-2 is out now!


Special Issue: ‘More than Meets the Ear: Sound and Short Fiction’


For more information about the journal and issue, click here >>

https://www.intellectbooks.com/short-fiction-in-theory-practice 
<https://www.intellectbooks.com/short-fiction-in-theory-practice>


Aims and Scope


Short Fiction in Theory & Practice provides an international forum for 
all those writing, reading, translating or publishing the short story, 
in all its diversity – including flash fiction, the novella, cycles, 
sequences, anthologies and single-author collections; hypertext, popular 
fiction (e.g. science fiction, horror), the prose poem, the non-fiction 
story and other hybrid genres. It looks at the short story from the 
practitioner’s viewpoint; we are concerned with the ongoing process and 
philosophy of composition rather than the ‘postevent’ dissection of 
literary texts.


Issue 11.1-2


Editorial


Hearing eyes 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00001>

SYLVIA MIESZKOWSKI


Articles


Sounding diasporic dislocation: The object voice in postcolonial short 
stories 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00002>

JORGE SACIDO-ROMERO


Invisible or inaudible? The representation of working-class immigrants 
in the short fiction of 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00003>

Junot Díaz 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00003>

MÓNICA FERNÁNDEZ JIMÉNEZ


Sounding displaced memories: Narrative soundscapes in Edwidge Danticat’s 
Krik? Krak! 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00004>

PAULA BARBA GUERRERO


‘J’ai mon silence’: The interrelations of sound, voice and silence in 
three short stories by Sylvia Townsend Warner 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00005>

DAVID MALCOLM


‘I start again with every story, listening’: Sound, silence and voice in 
two short stories by David Constantine 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00006>

WOLFGANG GÖRTSCHACHER


Silence, gender and metamorphosis in Joanna Walsh’s ‘Worlds from the 
Word’s End’ 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00007>

PAUL FAGAN


Aural disturbance in the stories of M. R. James 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00008>

TRACY HAYES


Gothic soundscapes and rhythm in Edgar Allan Poe’s short stories 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00009>

LUCIE RATAIL


Soundscapes, evocalization and poetics of the everyday in ‘An Epiphany 
Tale’ by George 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00010>

Mackay Brown 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00010>

HALSZKA LELEŃ


‘Modulation’ by Richard Powers: Digital sound, compression and the short 
story 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00011>

MICHAEL HEDGES


Interview


‘It is sound that lives in her’: An interview with Joanna Walsh 
<https://www.ingentaconnect.com/contentone/intellect/fict/2021/00000011/f0020001/art00012>

PAUL FAGAN AND JOANNA WALSH


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