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[Commlist] Film Matters 10.3 published
Wed Jul 08 09:00:43 GMT 2020
Intellect is pleased to announce that Film Matters10.3 is out now!
For more information about the issue and journal, click here >>
www.intellectbooks.com/film-matters
<https://www.intellectbooks.com/film-matters>
*Aims & Scope*
Film Mattersis an exciting peer-reviewed film magazine, celebrating the
work of undergraduate film scholars. It is published by students and for
students and each issue contains feature articles, a healthy reviews
section, and occasional pieces such as profiles of film studies
departments or resources and opportunities that undergraduate scholars
can pursue.
*Issue 10.3*
_EDITORIAL_
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Editorial: Remembering John Pruitt (1952–2019)
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Liza Palmerand Tim Palmer
_FEATURES_
/Paris Is Burning/: Intersectionality in 90s Queer Cinema
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Tara Brew
Valerie the Vampire Slayer: Abjection, the Czech New Wave, and Feminist
Interventions
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Alexandra Coburn
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History of Terror: The Non-Hammer Horror Period Piece and British
National Identity
<https://www.ingentaconnect.com/contentone/intellect/fm/2019/00000010/00000003/art00004>
Joe Day
Purple Reign: The Contradictory Use of the Royal Color Purple in
Disney’s Animated Villains
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Suzi Fera
I Ain’t Afraid of No Remake: Exploration of the Financial, Marketing,
and Societal
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Failure of /Ghostbusters: Answer the Call/
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Jason Husak
Cyborg Feminism: Ambiguity and Hybridity of the Female Cyborg in
/Metropolis/
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Madi Margolis
Threshold Figures: The Babysitter in American Film
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Sarah Matthews
“Utter the flood of feeling”: Melodrama and Musical Score in Douglas
Sirk’s /Written on the Wind (1956)/
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Alyson E. Picard
Exploring the Relationship of the Geography and People Through
Composition in the Films of Abbas Kiarostami
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Parul Tiwari
Critical Anti-Realism in Chinese Postsocialist Films /Chicken Poets/
(Meng Jinghui, 2002) and /Asia One/ (Cao Fei, 2018)
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Justine Xi
_
_
_BASED ON ACTUAL EVENTS DOSSIER_
Based on Actual Events Introduction
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Fabrizio Cilento
Cultural Hybridity and Biopics on Artists of Mexican Heritage: /La
Bamba/, /Selena/, and /Frida/
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Nathan Simms
/Rise: Ini Kalilah/: The Challenges of Defining a Multicultural
Malaysian Identity
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Kai Y. Leong
The Philosophy of Documentary and Michael Moore’s /Bowling for
Columbine/
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Hannah Holwayand Lucy Bolton
Hawking2: A Retrospective on Adaptation
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Katharine R. Chamberlain
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The Indonesian Massacre as Perceived by the Lens: /The Year of Living
Dangerously, /Pengkhianatan G30S/PKI, 40 Years of Silence: An Indonesian
Tragedy, The Act of Killing, and /The Look of Silence /
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Jemma Detwiler
_REVIEWS_
/Sisters/ (1972)
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Bill Friedell
/New Nonfiction Film: Art, Poetics, and Documentary Theory/, Dara
Waldron (2018)
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Keara Kobzowicz
/
/
/No Other Way to Tell It: Docudrama on Film and Television/, Derek Paget
(2013)
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Kai Y. Leong
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/Docudrama Performs the Past: Arenas of Argument in Films Based on True
Stories/, Steven N. Lipkin (2011)
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Nathan Simms
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/Why Docudrama?/, Alan Rosenthal (1999)
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Michelle Winegardner
_CATASTROPHE! DOSSIER_
Digesting the Indigestible: Narrative, Guilt, and Responsibility in Yann
Martel’s and Andrew Cividino’s “We Ate the Children Last”
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Tom Ue
Crime of Calligraphy: The Importance of the Pen in /Done In/
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James Munday
Class Norms: The Expectation of Social Roles in /Family Guy/
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Alex Affonso
The OASIS Manifesto
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Jonathan Hage
The Mechanization of Desire in Fritz Lang’s /Metropolis/
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Neil Macdonald
/Blade Runner/ and /Altered Carbon/: Aesthetic and Setting in Cyberpunk
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Benjamin West
The Duality of Dystopian and Utopian Perspectives in Literature and Film
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Jason Botham
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