[Commlist] Northern Lights: Film & Media Studies Yearbook 18 published

Intellect is excited to announce that Northern Lights: Film & Media 
Studies Yearbook18 is out now!


Special Issue: ‘Europe at the Crossroads: Cinematic Takes’


For more information about the special issue and journal, click here >> 
https://www.intellectbooks.com/northern-lights-film-media-studies-yearbook


*Aims & Scope*


Northern Lightsis a peer-reviewed international publication dedicated to 
studies of film and media. The yearbook is a meeting place for Nordic, 
European and global perspectives on film and media. The editors stress 
the importance of interdisciplinary research and welcome contributions 
on both old and new media.


*Issue 18*


Introduction 
<https://www.ingentaconnect.com/content/intellect/nl/2020/00000018/00000001/art00001>

Temenuga Trifonova


_Articles_


European cinema: Between Mit-sein, Da-seinand Nah-sein 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00002>

Thomas Elsaesser


Crossing the European boundary: The conjoined figures of colonizer and 
migrant in Zama(Martel, 2017) and The Other Side of Hope(Kaurismäki, 
2017) 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00003>

Ali Rıza Taşkaleand ŞimaH. Erdoğan


Universality, spectrality, proximity: The cinematic faces of Europe’s 
other 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00004>

Boris Pantev


 From ‘face-to-face’ to ‘side-by-side’: The abject neighbour in 
European cinema 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00005>

Seung-hoon Jeong


<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00006>

Gifts of welcome: Precarity, intimacy and the gift in Die Farbe des 
Ozeans(Peren, 2011) and Welcome(Lioret, 2009) 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00006>

Maria Stehle and Beverly Weber


 From postnational mobility to posthuman fluidity: Unfixed identities 
and social responsibilities in Personal Shopper (Assayas, 2016) and 
Happy End(Haneke, 2017) 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00007>

Mary Harrod


Out of bounds: The spatial politics of civility in The Square(Östlund, 
2017) and Happy End (Haneke, 2017) 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00008>

Elizabeth Ezra


Europe, spectrality and ‘post-mortem cinema’: The haunting of history in 
Christian Petzold’s Transit(2018) and Aki Kaurismäki’s Le Havre (2011) 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00009>

Alice Bardan


Thinking Europe from the margins and through marginal cinema: The case 
of The Nothing Factory(Pinho, 2017) 
<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00010>

Mariana Liz



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