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[Commlist] Call for Proposals - Historicizing Myths in Contemporary India: Cinematic Representations and Nationalist / Fascist Agendas
Fri Jan 24 11:41:55 GMT 2020
Please find attached a CFP for an edited work (approved for publication
by Routledge) on Bollywood cinema. The last date for receiving abstracts
is 15 March 2020.
*Call for Proposals*
*Historicizing Myths in Contemporary India:*
*Cinematic Representations and Nationalist / Fascist Agendas *
Editors: Swapna Gopinath and Rutuja Deshmukh
*Call for papers for a book approved for publication by Routledge, on
Bollywood cinema, expected to fall within the interdisciplinary spaces
of Cultural Studies, Film Studies and Postcolonial Studies. *
The rise and rise of Hindutva, or Hindu nationalism or political Hindu
agenda that has engulfed India has also initiated the favorite pursuit
of right wing of invoking the ‘glorious past’. This ‘glorious past is
primarily being invoked by a surge of historical(s) in Bollywood.
Indian Popular Cinema has evolved through various genres and has
successfully and consistently borrowed plots from History to create
classics like /Mughal-e-Azam/(1960) and /Meera/(1979). As a technology,
able to picture and embody the temporality of the past, cinema has
become central to the mediation of collective memory through History.
While past in representational terms has been figured in variations of
Historical film- the costume drama, heritage picture or historical
biopic from early cinema have come to surround the culture of the film.
Bollywood cinema as a popular cultural practice negotiates the
socioeconomic and political discourses that define the social
structures, the dialectical nature of this relationship creating a
political dimension to the cultural processes at any given point in
time. Contemporary India, at a critical juncture, opens up spaces for
discussions and deliberations on the fast-paced social changes and a
study of the politics of representations seems the need of the hour.
Cinema responds in manifest ways and one genre, typically representative
of the age of re-readings and re-writings of history, is the historical
films. Historical films getting released in the last few years have been
increasing in numbers and are often accompanied by controversies and
debates on the veracity of these representations. Questions asked on the
authenticity of these representations urge researchers to probe deeper
into these works of art, as well as these questions being asked. The
histories chosen, the protagonists selected, the narrative strategies
employed, the target audience as well as the critics – all these
multifarious aspects demand close reading and the proposed text seeks to
The progression of cinema as a political tool and cultural medium is
rooted in the wider society; cinema has reacted to and in turn shaped
the changing political, social and economic conditions of the times. The
projection of past in a popular medium depends on various perceptions of
history that has been in circulation in the popular culture. Till date
cinema has borrowed representations of historicity from both academic
and non-academic association with history.
Looking at History and its representation as a specific framework, we
invite papers for proposed book chapters on Contemporary Cinema and
Construction of History.
The book aims to blend academic papers and film screenings providing a
platform to discuss cinematic historical interventions and
transformations in India. Papers are expected to address but are not
* Construction of memory and identity
* Precision of digital and tactile past
* Aesthetic conception of propaganda
* Gender and depiction of historical moments
* Egomania and servitude in the depiction of historical battles
* The politics of reception and production
* The hero and the protagonist and the public imagination
* Imagining a past and its cinematic representation
The last date for submitting abstracts is March 15, 2020. Please mail
your abstract of 500 words to (historicalsbollywood /at/ gmail.com)
<mailto:(historicalsbollywood /at/ gmail.com)>
*Suggested Reading List*
Landy, Marcia (1986/) Fascism in Film: The Italian Commercial Cinema
1930-1943/, Princeton: Princeton University Press.
Kapur, Geeta (1987) ‘Mythic Material in Indian Cinema’, /Journal of Arts
and Ideas, vols /14-15, pp. 211-27
Laine, J. W. (2003) /Shivaji: Hindu King in Islamic India/, Oxford:
Oxford University Press
Jaffrelot, C. (1996) /The Hindu Nationalists Movement and Indian
Politics: 1925 to the 1990s/, New Delhi: Oxford University Press.
Hobsbawm, E. (1983) ‘Introduction: Inventing Traditions’, in E. Hobsbawm
and T. Ranger, eds, /The Invention of Tradition/, Cambridge: Cambridge
Sontag, S. (1981) Under the Sign of Saturn, US, Random House, Inc. New York.
Benjamin, W. (1936) ‘The Work of Art in the Age of Mechanical
Reproduction’, in /Marxists.org/,
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