[Commlist] CFP 2019-20 "Perspectives on the Oceans": Issue 4, Dovetail Journal

2019-20 CFP “Perspectives on the Ocean” from The Dovetail Journal: 
<https://www.the-dovetail-journal-bangor-university.co.uk/> 
Intersections in Literature, Creative Arts & Media The 2019-20

CFP for the Dovetail Journal is to be on the topic of “Perspectives on 
the Ocean”. Successful submissions that pass the blind peer review 
process will be published in the fourth issue of the journal online in 
Winter 2020. Abstracts will be accepted from now and should be emailed 
to the General Editor no later than March 31st 2020, here 
(artalis /at/ hotmail.com) 
<mailto:(artalis /at/ hotmail.com)?subject=Dovetail%20CFP%20Perspectives%20on%20Oceans&body=Please%20write%20an%20abstract%20of%20no%20more%20than%20250%20words%20and%20submit%20it%20to%20the%20General%20Editor%2C%20no%20later%20than%20March%2031st%202020.>. 


https://www.the-dovetail-journal-bangor-university.co.uk/call-for-papers

The ocean is a contested space that serves both human and animal 
interests; it is a hub for industry; a wealth making resource; a home to 
marine animals; a food basket; a dumping ground; and a site of concern 
regarding climate change and global warming. Never before has there been 
so much debate from the public realm to the political arena over such 
topical issues as curbing CO2 emissions, the threat of mass extinction 
and the loss of ocean habitats. Creative and critical practice scholars, 
including PhD students across literature, creative arts and media are 
invited to submit work that focuses on the ocean and certain resonant 
perspectives and discourses.

Submissions are invited from academic scholars or PhD candidates whose 
work centres in either of the following forms: A discourse on the ocean 
and resonant perspectives that combines critical and creative practice 
across either literature, the creative arts or media, or else a 
discourse across all three fields.

or

Creative practice work in the form of an original piece of prose, 
poetry, new media, a screenplay, stage play, music, opera or an area 
within visual arts practice

In addition, submissions of interest should concern any one of the 
following areas:

Post-romantic representations of the ocean and technology. The ocean as 
a contested boundary, past, present and future. Marine traffic, marine 
animals and the silk road, new perspectives. Defining new perspectives 
on the ocean from theoretical or artistic underpinnings. Defining a 
language for the ocean as a space Narrative representation of any 
defined sea or ocean in fiction and non-fiction. The ocean and questions 
of aesthetic representation. The sea as a liminal space between reality 
and fiction. Marine animals, identity and representation. The ocean and 
genre in film, animation and/or screenwriting practice. The 
Anthropocene, the ocean and pollution.. The ocean as repository The 
ocean, ecology and war. The ocean, energy and extinction. The ocean as 
site of trauma versus opportunity.

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