[Commlist] Journal of Screenwriting 10.3 published

Intellect is excited to announce that /Journal of Screenwriting/ 10.3 is 
now available!


This is a Special Issue discussing, ‘Historiographic Research in 
Screenwriting’.


For more information about the special issue and journal, click here >> 
https://www.intellectbooks.com/journal-of-screenwriting


*Aims & Scopes*


The /Journal of Screenwriting/ is an international double-blind 
peer-reviewed journal that is published three times a year. The journal 
highlights current academic and professional thinking about the 
screenplay and intends to promote, stimulate and bring together current 
research and contemporary debates around the screenplay whilst 
encouraging groundbreaking research in an international arena. The 
journal is discursive, critical, rigorous and engages with issues in a 
dynamic and developing field, linking academic theory to screenwriting 
practice.


*Issue 10.3*


_Editorial 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00001>_

STEVEN PRICE AND CLAUS TIEBER


_Articles_


Die Filmprimadonna (The Film Primadonna, 1913): A case study of the 
fiction of a screenplay and the process of filmmaking in German early 
cinema 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00002>

JAN HENSCHEN


Once again into the cabinets of Dr. Caligari: Evil spaces and hidden 
sources of the Caligari screenplay 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00003>

ALEXANDRA KSENOFONTOVA


Reel by reel: Jan Stanislav Kolár’s narrative poetics in the context of 
transition to feature-length format in Czech silent cinema 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00004> 


MARTIN KOS


<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00005>

Walter Reisch: The musical writer 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00005>

CLAUS TIEBER


Network television writers and the ‘race problems’ of 1968 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00006> 


CARYN MURPHY


 From dialogue writer to screenwriter: Pier Paolo Pasolini at work for 
Federico Fellini 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00007>

CLAUDIA ROMANELLI


_Book Reviews_


Crash! Boom! Bang! How to Write Action Movies, Michael Lucker (2017) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00008>

JENNIFER ANNE MARTIN


Words in Action: Forms and Techniques of Film Dialogue, Paolo Braga 
(2015) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00009>

JACKIE PEREZ


Off the Page: Screenwriting in the Era of Media Convergence, Daniel 
Bernardi and Julian Hoxter (2017) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00010>

ANNA WEINSTEIN


FrameWork: A History of Screenwriting in the American Film, 3rd ed., Tom 
Stempel (2000) 
<https://www.ingentaconnect.com/contentone/intellect/josc/2019/00000010/00000003/art00011>

C. J. EHRLICH


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