Archive for February 2020

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[Commlist] Northern Lights: Film & Media Studies Yearbook 18 published

Thu Feb 20 14:19:15 GMT 2020




Intellect is excited to announce that Northern Lights: Film & Media Studies Yearbook18 is out now!


Special Issue: ‘Europe at the Crossroads: Cinematic Takes’


For more information about the special issue and journal, click here >> https://www.intellectbooks.com/northern-lights-film-media-studies-yearbook


*Aims & Scope*


Northern Lightsis a peer-reviewed international publication dedicated to studies of film and media. The yearbook is a meeting place for Nordic, European and global perspectives on film and media. The editors stress the importance of interdisciplinary research and welcome contributions on both old and new media.


*Issue 18*


Introduction <https://www.ingentaconnect.com/content/intellect/nl/2020/00000018/00000001/art00001>

Temenuga Trifonova


_Articles_


European cinema: Between Mit-sein, Da-seinand Nah-sein <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00002>

Thomas Elsaesser


Crossing the European boundary: The conjoined figures of colonizer and migrant in Zama(Martel, 2017) and The Other Side of Hope(Kaurismäki, 2017) <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00003>

Ali Rıza Taşkaleand ŞimaH. Erdoğan


Universality, spectrality, proximity: The cinematic faces of Europe’s other <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00004>

Boris Pantev


From ‘face-to-face’ to ‘side-by-side’: The abject neighbour in European cinema <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00005>

Seung-hoon Jeong


<https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00006>

Gifts of welcome: Precarity, intimacy and the gift in Die Farbe des Ozeans(Peren, 2011) and Welcome(Lioret, 2009) <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00006>

Maria Stehle and Beverly Weber


From postnational mobility to posthuman fluidity: Unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End(Haneke, 2017) <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00007>

Mary Harrod


Out of bounds: The spatial politics of civility in The Square(Östlund, 2017) and Happy End (Haneke, 2017) <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00008>

Elizabeth Ezra


Europe, spectrality and ‘post-mortem cinema’: The haunting of history in Christian Petzold’s Transit(2018) and Aki Kaurismäki’s Le Havre (2011) <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00009>

Alice Bardan


Thinking Europe from the margins and through marginal cinema: The case of The Nothing Factory(Pinho, 2017) <https://www.ingentaconnect.com/contentone/intellect/nl/2020/00000018/00000001/art00010>

Mariana Liz



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