Archive for 2019

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[Commlist] CFP: Media Industries Publishes Vol. 6, No. 2

Tue Dec 24 08:01:42 GMT 2019




/Media Industries /is pleased to announce the publication of its latest issue. Vol. 6, No. 2 is now live on our website and features an outstanding lineup of open call submissions and a special section on digital media platforms in India edited by Adrian Athique (The University of Queensland). More details on the current issue, including our book and resource reviews, are listed below.

**

*About Vol. 6, No. 2:*

*Featured Articles*

·Time’s Up (Again?): Transforming Hollywood’s Industrial Culture – Kate Fortmueller (University of Georgia)

·Autonomy, Integration, and the Work of Cultural Intermediation in Indie Games – Matthew E. Perks (University of Waterloo), Felan Parker (University of Toronto), Jennifer R. Whitson (Waterloo University), Bart Simon (Concordia University), Gabrielle Lavenir (Concordia University), Ceyda Yolgörmez (Concordia University), Pierson Browne (University of Waterloo), and Brian Schram (University of Waterloo)

·Political Goals versus Commercial Goals: Emile de Antonio’s Rush to Judgment on the Market – Nora Stone (University of Arkansas at Little Rock)

*Special Section: Digital Media Platforms in India*

·Introduction – Indian Media in the Platform Economy – Adrian Athique (The University of Queensland)

·Digital Emporiums: Platform Capitalism in India – Adrian Athique (The University of Queensland)

·Over-the-Top Video Services in India: Media Imperialism after Globalization – Scott Fitzgerald (Curtin University)

·Informality in the Time of Platformization – Akshaya Kumar (Indian Institute of Technology Indore)

·The OTT TV Box as a Diasporic Media Platform – Ramon Lobato (RMIT University) and Pradip Sarkar (RMIT University)

*Book Reviews*

·The Rise and Fall of Network Sports Television – Review by Dafna Kaufman (The University of North Carolina at Chapel Hill)

·Custodians of the Internet – Review by Sarah Whitcomb Laiola (Coastal Carolina University)

·The Digital Literary Sphere: Reading, Writing, and Selling Books in the Internet Era – Review by Anne Gilbert (University of Georgia)

·Media Heterotopias: Digital Effects and Material Labor in Global Film Production – Review by Dawn Fratini (University of California, Los Angeles)

·The Procrastination Economy: The Big Business of Downtime – Review by Neta Alexander (Colgate University)

·Race and the Cultural Industries – Review by Daelena Tinnin (The University of Texas at Austin)

*Call for Papers*

/Media Industries/accepts open call submissions on a rolling basis, and we encourage you to submit your research for our next peer-reviewed issue.

Submissions can address the full spectrum of media industries, including film, television, internet, radio, music, publishing, gaming, advertising, and mobile communications, and query a range of industry-related concerns and processes, such as production, distribution, infrastructure, policy, exhibition, and retailing. Contemporary or historical studies may explore industries individually or examine relations between industrial sectors, employing qualitative, quantitative, or mixed methodologies.

We expect contributions to adopt a critical, rather than instrumental, perspective and engage with relevant media industries literature. We are especially interested in contributions that draw attention to global and international perspectives, and use innovative methodologies, imaginative theoretical approaches, and new research directions. We encourage authors to employ the online format creatively by incorporating audiovisual materials and hyperlinks within their articles.

*About /Media Industries/*

The journal is maintained by a managing Editorial Collective <http://www.mediaindustriesjournal.org/about.html> and Editorial Board <http://www.mediaindustriesjournal.org/editors.html>comprised of an international group of media industries scholars. Editorial and administrative responsibilities are shared amongst faculty members at the following institutions: The Chinese University of Hong Kong; Georgia State University; King’s College London; Lingnan University; Queensland University of Technology; RMIT University; Stockholm University; University of California, Santa Barbara; University of Nottingham; and University of Texas at Austin.

*About Michigan Publishing *

In late 2016 /Media Industries /moved its online presence to an open-access platform hosted by Michigan Publishing at the University of Michigan, Ann-Arbor. Hosting more than 30 open access journals, Michigan Publishing shares our commitment to making cutting edge research easily discoverable, accessible, and shareable with readers around the world. Michigan Publishing’s platform connects with more than two million readers per year, which we will help expand and strengthen the journal’s readership in the years to come.

For additional information about /Media Industries/, please visit://

Website: mediaindustriesjournal.org <http://mediaindustriesjournal.org/>

Email: (mediaindjournal /at/ gmail.com) <mailto:(mediaindjournal /at/ gmail.com)>

Facebook: facebook.com/mediaindustriesjournal <http://facebook.com/mediaindustriesjournal>

Twitter: twitter.com/mediaindjournal <http://twitter.com/mediaindjournal>

Sincerely, the /Media Industries /Editorial Collective

Amelia Arsenault, Darrell William Davis, Christian Christensen, Stuart Cunningham, Michael Curtin, Elizabeth Evans, Terry Flew, Anthony Fung, Jennifer Holt, Ramon Lobato, Paul McDonald, Ross Melnick, Alisa Perren, Kevin Sanson, Jeanette Steemers, Julian Thomas, Patrick Vonderau, and Emilie Yueh Yu Yeh.

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