Archive for 2019

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[Commlist] Participations 16.2 published

Thu Dec 12 13:48:59 GMT 2019



We have just launched vol 16, no 2 of /Participations/, the online journal of audience and reception studies (www.participations.org <http://www.participations.org>).

This issue boasts 25 contributions, including 6 very varied individual contributions, with the remainder organised into two Themed Sections, on contemporary practices of TV viewing, and on audience histories.  As always, /Participations/ is free to use for everyone.

Contents


Editorial

    Middlemost, Renee & Sue Turnbull:

    ‘Editorial Introduction’



Articles

Cañas-Bajo, Jose, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri Valtanen & Pertti Saariluoma:

'Emotional experiences of films: Are they universal or culturally mediated?'

    Golub, Adam & Ashley Loup:

    'Engaging fan cultures: What students learn when they study fans'

    Loges, Natasha & Terry Clark:

'Thinking across disciplines: Audience responses to Clara Schumann's Dichterliebe at the Wigmore Hall'

    Podara, Anna, Maria Matsiola, Theodora A. Maniou & George Kalliris:

'Transformations of television consumption practices: An analysis on documentary viewing among post-millennials'

    Rendell, James:

'A picture is worth a thousand corpses: Audiences' affective engagement with In the Flesh and The Walking Dead through online image practices'

    Schiavone, Rosa, Stijn Reijnders & Balázs Boross:

'Losing an imagined friend: Deriving meaning from fictional death in popular culture'



 Themed 1



Klinger, Barbara:

'Introduction: Streaming and the re-education of the audience'

Horeck, Tanya:

'Streaming sexual violence: Binge-watching Netflix's 13 Reasons Why'

Elrod, James M.:

'Navigating the Nebula: Audience affect, interactivity, and genre in the age of streaming TV'

Zündel, Jana:

'Serial skipper: Netflix, binge-watching and the role of paratexts in old and new "televisions"'

Zhang, Xiaoran:

'From Western TV sets to Chinese online streaming services: English-language TV series in mainland China'

Barker, Corey:

'The Surprise Drop: The Cloverfield Paradox, UnREAL, and evolving patterns in streaming media distribution and reception'

Verma, Neil:

'From the narrator's lips to yours: Streaming, podcasting, and the risqué aesthetic of Amazon Channels'

Jenner, Mareike:

'Control Issues: Binge-watching, channel-surfing and cultural value'

Themed 2

 Butsch, Richard:

'Introduction: Audiences, cultures, histories – Contexts and comparisons'

Drotner, Kirsten:

'Media audience practices beyond living memory: Modeling theoretical and methodological issues'

Bourdon, Jerome:

'The Internet of Letters: Comparing epistolary and digital audiences'

Oggolder, Christian:

''Media for the crowds: Audiences beyond dispersed masses'

Jonckheere, Evelien:

'In search of identities: "Foreigners" in fin-de-siècle Belgian café-concerts'

Maltby, Richard & Ruth Vasey:

'A Great Generic Conspiracy': Classical Hollywood's protection system'

Thissen, Judith:

'Faith, fun and fear in the Dutch Orthodox Protestant milieu: Towards a non-cinema centred approach to Cinema History'

Klien-Thomas, Hanna:

'Historical disjunctures and Bollywood audiences in Trinidad: Negotiations of gender and ethnic relations in cinema going'

Heinze, Robert:

'Dialogue between absentees? Liberation radio engages its audiences, Namibia, 1978-1989'

Staiger, Janet:

'The Audience of Perry Mason, or the Case of What People Write to Famous Authors'

Asthana, Sanjay:

'Television, memory, and history: 'Informal knowledge' of Doordarshan on the Internet'


Issues and debates

    Greenberg, Susan L.:

    'Letter in response to Per Henningsgaard (Participations, 16.1)'

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