[Commlist] Participations 16.2 published

We have just launched vol 16, no 2 of /Participations/, the online 
journal of audience and reception studies (www.participations.org 
<http://www.participations.org>).

This issue boasts 25 contributions, including 6 very varied individual 
contributions, with the remainder organised into two Themed Sections, on 
contemporary practices of TV viewing, and on audience histories.  As 
always, /Participations/ is free to use for everyone.

Contents


Editorial

    Middlemost, Renee & Sue Turnbull:

    ‘Editorial Introduction’



Articles

    Cañas-Bajo, Jose, Teresa Cañas-Bajo, Eleni Berki, Juri-Petri 
Valtanen & Pertti Saariluoma:

    'Emotional experiences of films: Are they universal or culturally 
mediated?'

    Golub, Adam & Ashley Loup:

    'Engaging fan cultures: What students learn when they study fans'

    Loges, Natasha & Terry Clark:

    'Thinking across disciplines: Audience responses to Clara 
Schumann's Dichterliebe at the Wigmore Hall'

    Podara, Anna, Maria Matsiola, Theodora A. Maniou & George Kalliris:

    'Transformations of television consumption practices: An analysis 
on documentary viewing among post-millennials'

    Rendell, James:

    'A picture is worth a thousand corpses: Audiences' affective 
engagement with In the Flesh and The Walking Dead through online image 
practices'

    Schiavone, Rosa, Stijn Reijnders & Balázs Boross:

    'Losing an imagined friend: Deriving meaning from fictional death 
in popular culture'



 Themed 1



Klinger, Barbara:

'Introduction: Streaming and the re-education of the audience'

Horeck, Tanya:

'Streaming sexual violence: Binge-watching Netflix's 13 Reasons Why'

Elrod, James M.:

'Navigating the Nebula: Audience affect, interactivity, and genre in the 
age of streaming TV'

Zündel, Jana:

'Serial skipper: Netflix, binge-watching and the role of paratexts in 
old and new "televisions"'

Zhang, Xiaoran:

'From Western TV sets to Chinese online streaming services: 
English-language TV series in mainland China'

Barker, Corey:

'The Surprise Drop: The Cloverfield Paradox, UnREAL, and evolving 
patterns in streaming media distribution and reception'

Verma, Neil:

'From the narrator's lips to yours: Streaming, podcasting, and the 
risqué aesthetic of Amazon Channels'

Jenner, Mareike:

'Control Issues: Binge-watching, channel-surfing and cultural value'

Themed 2

 Butsch, Richard:

'Introduction: Audiences, cultures, histories – Contexts and comparisons'

Drotner, Kirsten:

'Media audience practices beyond living memory: Modeling theoretical and 
methodological issues'

Bourdon, Jerome:

'The Internet of Letters: Comparing epistolary and digital audiences'

Oggolder, Christian:

''Media for the crowds: Audiences beyond dispersed masses'

Jonckheere, Evelien:

'In search of identities: "Foreigners" in fin-de-siècle Belgian 
café-concerts'

Maltby, Richard & Ruth Vasey:

'A Great Generic Conspiracy': Classical Hollywood's protection system'

Thissen, Judith:

'Faith, fun and fear in the Dutch Orthodox Protestant milieu: Towards a 
non-cinema centred approach to Cinema History'

Klien-Thomas, Hanna:

'Historical disjunctures and Bollywood audiences in Trinidad: 
Negotiations of gender and ethnic relations in cinema going'

Heinze, Robert:

'Dialogue between absentees? Liberation radio engages its audiences, 
Namibia, 1978-1989'

Staiger, Janet:

'The Audience of Perry Mason, or the Case of What People Write to Famous 
Authors'

Asthana, Sanjay:

'Television, memory, and history: 'Informal knowledge' of Doordarshan on 
the Internet'


Issues and debates

    Greenberg, Susan L.:

    'Letter in response to Per Henningsgaard (Participations, 16.1)'

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