Archive for 2019

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[Commlist] Moving Image Review & Art Journal 8.1&2 published

Fri Oct 04 09:26:35 GMT 2019






Intellect is pleased to announce that /MIRAJ/ 8.1&2 is now available!

Special Issue: ‘Beside Chantal Akerman’s NOW’

For more information about the special issue and journal, click here >> http://www.intellectbooks.com/miraj-the-moving-image-review-art-journal


*Aims & Scope*


Moving Image Review & Art Journalis the first international peer-reviewed scholarly publication devoted to artists' film and video, and their contexts. It offers a forum for debates surrounding all forms of artists' moving image and media artworks: films, video installations, expanded cinema, video performance, experimental documentaries, animations and other screen-based works made by artists.


*Issue 8.1&2*


_Editorial <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00001>_


_Articles_


‘Akerman’ on-screen: Chantal Akerman behind and before the camera, and after cinema <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00002>

Griselda pollock


News From Home the redux version: Amodal perception and ‘la jouissance du voir’ <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00003>

Maria walsh


‘A pedagogy of the image’: Chantal Akerman’s ethics across film and art <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00004>

Kate rennebohm


Revisiting Jeanne Dielman: Autour de Jeanne Dielman (2004), Woman Sitting After Killing (2001) and Akerman’s ‘cinéma de ressassement’ <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00005>

Ros murray


Sensory experience, sound and queerness in Chantal Akerman’s Maniac Shadows (2013) <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00006>

Albertine fox


‘A matter of skin’: Chantal Akerman’s ‘porous narratives’ <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00007>

Maud jacquin


Disappearance in the films of Chantal Akerman <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00008>

Janet bergstrom


_Features_


Ephemeral, elusive, impossible: Chantal Akerman and the concept of ‘home’ <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00009>

Sandy flitterman-lewis


On Les Rendez-vous d’Anna and Jeanne Dielmann <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00010>

Dominique païni


Before, between and beyond: Chantal Akerman’s impenetrable landscapes <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00011>

Jacqui usiskin


On marginality as resistance <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00012>

Corinne rondeau


Seeing horizontally: Babette Mangolte interviewed by Bryony Gillard and Louis Hartnoll <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00013>

Bryony gillard and Louis hartnoll


From the Other Side at Documenta 11 (2002) <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00014>

Alison rowley


Akerman the scavenger <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00015>

Adam roberts


_Review Articles_


Memory, Forgetting and the Moving Image, Caterina Albano (2016) <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00016>

Sarah durcan


Alternative Film/Video Festival (13–17 December 2017) and the International Short Film Festival Oberhausen (3–8 May 2018): Film festivals as memory-work <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00017>

Catherine fowler


Yvonne Rainer: The Choreography of Film <https://www.ingentaconnect.com/contentone/intellect/miraj/2019/00000008/f0020001/art00018>

Yhilomena epps


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