[Commlist] Sound-tracking Melbourne Special Edition

the /Soundtrack /journal has just published a Special Edition of four 
papers drawn from the /Sound-tracking Melbourne /Symposium held last 
year. These wonderful papers take us across forms and genres, historical 
periods, and modes of enquiry.

They take us from Tessa Dwyer’s, ‘/Mother tongue: Uncanny sound, migrant 
voice and the home movie’/, to John Cumming and Martin Potter's, 
‘/Sounding Obsession: A discussion on sounds from a garage film’/; and 
from Diana Sanders, /‘Penguin Café Orchestra, Malcolm and Mary: The 
soundtrack of Melbourne’s outcast children/’, to Djoymi Baker's, 
‘/Predestination: Uncanny (mis)recognition, science fiction and “home 
movie” moments’/.

Each paper and author localizes and translates sound and image at each 
delicate turn, offering up new ways for us to hear and see Melbourne 
screen culture.

It is a wonderful collection of essays – please dip in.

See:

https://www.ingentaconnect.com/content/intellect/ts/2019/00000010/00000002


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