[Commlist] Studies in Spanish & Latin American Cinemas 16.2 published

Intellect is pleased to announce that Studies in /Spanish & Latin 
American Cinemas/ 16.2 is now available!

For more information about the issue, click here >> 
https://www.intellectbooks.com/studies-in-spanish-latin-american-cinemas

*Aims & Scope*

This peer-reviewed journal explores the cinemas of Spain and 
Spanish-speaking South, Central and North America, including the 
Caribbean and Brazil. Maximizing the opportunities for contact between 
academic disciplines such as media, film studies, Latin American, 
Hispanic and postcolonial studies, the journal encourages an 
inter-cultural and interdisciplinary focus.

*Issue 16.2*

_Articles
_
Digital access, genre bending: Four Seasons in Havana (Viscarret, 2016) 
and the Ibero-American audio-visual space 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00001>
Luisela Alvaray

Minimal gestures: Displacement, affect and urban experience in A hora da 
estrela/The Hour of the Star (Amaral, 1985) 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00002>
Mariana Cunha

La música en el cine español, entre el falangismo y el 
nacionalcatolicismo: de Tierra y Cielo (1941) a Forja de Almas (1943) 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00003>
Celsa Alonso

Territorios en disputa: Modernidad, figuración urbana y recepción de la 
reescritura fílmica de Los de la mesa 10 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00004>
Jorge Sala

Compulsive memory: The endurance of 1969 in Brazil 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00005>
Paulo Moreira

The perfect spectatorship: Culture and criticism in Mexico’s La 
dictadura perfecta/ThePerfect Dictatorship (2014) and Ingobernable/ 
Ungovernable (2017) 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00006>
Pablo Zavala

 From the face to the crotch: Intersubjectivity, affective schemas and 
the politics of the closeup in Los Labios/The Lips (Fund and Loza, 2010) 
and Plan B (Berger, 2009) 
<https://www.ingentaconnect.com/contentone/intellect/sslac/2019/00000016/00000002/art00007>
Guillermo Abel Severiche

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