Archive for 2019

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[Commlist] Screen Volume 60, Issue 1 - published

Tue Mar 19 16:38:30 GMT 2019

/Screen/ Volume 60, Issue 1 – Table of Contents

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Queer neorealism: Luchino Visconti’s /Ossessione/ and the Cinema conspiracy against fascism

Lorenzo Fabbri

The prerogative of confusion: pink film and the eroticization of pain, flux and disorientation

Alexander Zahlten

Re-citation and res

uscitation from the archives of Arab revolution

Kay Dickinson

Montage/mediation/publicity: /Far from Vietnam/

David Fresko

From manga to film: gender, precarity and the textual transformation of /Air Doll/

Diane Wei Lewis


Intermediality in Brazilian cinema: the case of Tropicália Introduction

Lúcia Nagib and Stefan Solomon

Devouring images: Hélio Oiticica’s anthropophagic quasi-cinema

Alison Butler

‘The cloak of technicolor’: intermedial colour in /Antônio das Mortes/

Stefan Solomon

Between film and photography: the bubble of blood in /The Family of Disorder/

Albert Elduque

Multimedia identities: an analysis of /How Tasty Was My Little Frenchman /

Lúcia Nagib

*Research Note*


The story of /Atoms at Work/

Helen Hughes



Ivo Blom, /Reframing Luchino Visconti: Film and Art/

Louis Bayman

Karl Schoonover and Rosalind Galt, /Queer Cinema in the World /

James Hodgson

Garrett Stewart, /Closed Circuits: Screening Narrative Surveillance/

Dietmar Kammerer

Veronica Pravadelli, /Classic Hollywood: Lifestyles and Film Styles of American Cinema 1930–1960/

Karen McNally

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