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[ecrea] Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic
Mon Nov 13 22:10:49 GMT 2017
*Vol 7, No 1 (2017) Pop Life: The Popular Music Biopic*
http://www.iaspmjournal.net/index.php/IASPM_Journal/issue/view/62
I am pleased to announce that a new special issue of I/ASPM Journal/ is
now available! Examining biopics of popular music artists, this special
issue raises questions regarding the genealogy of the genre,
authenticity, remediation, identity, authorship and stardom.
Jonathan Stewart, Benjamin Halligan and Liam Maloy address
verisimilitude in the production processes of Joy Division biopic
Control (2007), and Telstar: The Joe Meek Story (2008); Maurizio
Corbella focuses on the remediation of historic live performances in The
Buddy Holly Story (1978), Johnny Cash biopic Walk the Line (2005) and
James Brown biopic Get On Up (2014); Ewa Mazierska shows how 1980s
Polish filmmakers and the band Maanam reinterpreted the music biopic
genre; Bridget Sutherland and Paul Judge interpret iconic films about
American music icons Elvis Presley and Jim Morrison in the light of the
Anthropocene; and Marcus O’Dair considers how in I’m Not There (2007)
Todd Haynes presents Bob Dylan as a brand that author-izes the film
rather than as a unified subject.
Thank you to Matthew Bannister for guesting, to Sarah E Raine for
putting together the review section, to William Echard, D. Ferrett, Mary
Fogarty, tobias C v Veen, Koos Zwaan for editing, and to Raquel Campos
for making it a good looking issue.
Hillegonda C Rietveld
Outgoing Editor, IASPM Journal
www.iaspmjournal.net
--------------
*CONTENTS*
Editorial
Editorial Introduction
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/868>
Hillegonda C Rietveld
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/868/pdf_1>
Pop Life: The Popular Music Biopic – Introduction
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/857>
Matthew Bannister
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/857/pdf>
Articles – Special Issue
Practices of Verisimilitude in Pop Music Biopics: A Conversation with
Todd Eckert and James Anthony Pearson on Control, and Nick Moran on
Telstar
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/841>
Jon Stewart, Liam Maloy, Benjamin Halligan
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/841/pdf_1>
Live to Tell: Remediating Historical Performance in the Popular Music
Biopic
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/840>
Maurizio Corbella
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/840/pdf_1>
Beyond Authenticity, Beyond Romanticism: Films About Maanam
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/839>
Ewa Mazierska
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/839/pdf_1>
Rock Gods of the Anthropocene: The Biographical Films of Elvis Presley
and Jim Morrison
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/842>
Bridget Alexandra Sutherland, Paul Judge
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/842/pdf_1>
“Even the ghost was more than one person”: Authorship and Authorisation
in I’m Not There
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/838>
Marcus O'Dair
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/838/pdf_1>
Reviews
REVIEW | Seismographic Sounds: Visions of a New World
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/853>
Matthew Michael Sumera
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/853/pdf_1>
REVIEW | Populäre Musikkulturen im Film. Inter- und transdiziplinäre
Perspektiven / Popular Music Cultures in Film. Inter- and
transdisciplinary Perspectives
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/849>
Philipp Schmerheim
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/849/pdf_1>
REVIEW | Popular Music and Retro Culture in the Digital Era
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/850>
David Kane
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/850/pdf_1>
REVIEW | Ludomusicology: Approaches to Video Game Music
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/851>
Sam Cleeve
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/851/pdf_1>
REVIEW | Black Popular Music in Britain Since 1945
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/848>
tobias c. van Veen
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/848/pdf>
REVIEW | Singing the Body Electric: The Human Voice and Sound Technology
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/856>
Katerina Tzedaki
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/856/pdf_1>
Review | Unsichtbare Landschaften: Populäre Musik und Räumlichkeit /
Invisible Landscapes: Popular Music and Spatiality
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/837>
Jan Peter Herbst
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/837/pdf_1>
REVIEW | Views from the South: A Latin American Music reader
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/852>
Eduardo Viñuela
PDF
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/852/pdf_1>
CONFERENCE REVIEW | Popular Music and Power. Sonic Materiality between
Cultural Studies and Music Analysis, June 2016, Berlin
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/855>
Bianca Ludewig, José Miguel Gálvez
PD
<http://www.iaspmjournal.net/index.php/IASPM_Journal/article/view/855/pdf_1>
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