Archive for September 2017

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[ecrea] New Issue: Music Sound and the Moving Image 11.1 - Open Access

Mon Sep 18 15:38:06 GMT 2017





*/Music, Sound, and the Moving Image /*

*Volume: 11, Number: 1 (July 2017) *

//

/Music, Sound, and the Moving Image/ is the first international scholarly journal devoted to the study of the interaction between music and sound in moving image media – film, television, music video, advertising, computer games, mixed-media installation, digital art, live cinema, et alia.

The above issue is now available online at: http://online.liverpooluniversitypress.co.uk/toc/msmi/11/1?ai=s4&ui=273v&af=T

**

*The latest issue of /MSMI/ is open access.*

**

Contents:

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Fifty Years of British Music video <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.1?ai=s4&ui=273v&af=T>

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‘Comparable to MTV – but Better’: The Impact of The Chart Show on British Music Video Culture, 1986–1998 <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.2?ai=s4&ui=273v&af=T> __

    Justin Smith

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The Dancing Eyes of the Director: Choreographers, Dance Cultures, and Film Genres in British Music Video 1979–2016 <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.3?ai=s4&ui=273v&af=T>

    Emily Caston

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The Occult Roots of MTV: British Music Video and Underground Film-Making in the 1980s <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.4?ai=s4&ui=273v&af=T>

    William Fowler

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British Landmark Music Videos and the BFI National Archive <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.5?ai=s4&ui=273v&af=T>

    Dylan Cave

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‘The First Cut is the Deepest’: Excerpts from a Focus Group on Editing Music Videos, with Explanatory Historical and Theoretical Notes <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.6?ai=s4&ui=273v&af=T>

    Emily Caston

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Book Reviews <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.7?ai=s4&ui=273v&af=T>

    Landon Palmer and Richard Taylor

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Contributors to Issue 11:1 <http://online.liverpooluniversitypress.co.uk/doi/10.3828/msmi.2017.8?ai=s4&ui=273v&af=T>

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