Archive for June 2017

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[ecrea] CFP: InVisible Culture, Issue 28 CFP "Contending with Crisis"

Fri Jun 02 14:39:14 GMT 2017






/InVisible Culture: An Electronic Journal for Visual Culture (IVC)/is circulating the CFP for its 28th Issue<http://ivc.lib.rochester.edu/call-for-papers-issue-28-contending-with-crisis/>“Contending with Crisis.” <http://ivc.lib.rochester.edu/call-for-papers-issue-28-contending-with-crisis/> Thedeadline for submissions is June 30th, 2017. Please share widely with any potentially interested scholars, artists, and relevant listservs, anddon’t hesitate to reach out with any questions.

We are also pleased to announce that IVC 26: Border Crossings <http://ivc.lib.rochester.edu>, the second installment of our Special Double Issue 25 & 26 is now live. In addition to our regular featured content, the special issue includes contributions from University of Rochesterfaculty and an interview with renowned art historian Douglas Crimp about his memoir///Before Pictures/.



—
Hend Alawadhi
هند العوضي

Managing Editor
/InVisible Culture/
503A Morey Hall
University of Rochester
Rochester, NY 14627

http://ivc.lib.rochester.edu
(halawadh /at/ ur.rochester.edu)



*Issue 28: “Contending with Crisis” *



For its twenty-eighth issue,///InVisible Culture: An Electronic Journal for Visual Culture/ invites scholarly articles and creative works that address the complex and multiple meanings of contending with crisis.

Defined by the global uncertainty of a world afflicted by varied and ambiguously interrelated states of emergency, the present can be seen as a critical historical conjuncture characterized by crisis. In the context of its worldwide occurrence, crisis refers irreducibly to a multitude of circumstances, events, and thematizations: military conflict, debt crises, issues of political representation, the mass migration and displacement of refugees, increasing ecological disruptions. Such ruptures in the social demand constant attention from individuals and communities, constituting a need for committed artististic and scholarly engagements with questions of what it means to be in crisis and how to deal with it.

Following Lauren Berlant’s understanding of crisis as “an emergency in the reproduction of life, a transition that has not found its genres for moving on,” we encourage authors to contemplate the fluidity/liminality of crisis, exploring both its emancipatory and repressive potentials. As an ongoing situation, a conceptual and rhetorical figure, an ideological representation and for many an urgent fact of life, the contemporary condition of crisis evokes a range of responses from those forced to contend with it.

For IVC 28, we invite contributors to explore visual representations and contestations of various states of crisis. How do crises emerge and perform in the visual field? How does the global situation of crisis reconfigure the possibilities of political representation? How do the material conditions of crisis constrain and transform everyday life and social organization? What kind of aesthetic responses and modes of cultural production proliferate in response? What forms of domination surface in times of crisis and how do they become realized in ensuing reorganizations of social orders? What productive potentials emerge or re-emerge in the face of specific and far-reaching crisis conditions?

Possible topics of exploration include, but are not limited to:

    • Visualizing/representing crisis, the visual politics of crisis
    • Political representation and subjectivity in/of crisis
    • Uneven distribution of vulnerabilities along lines of race,
    gender, and sexuality
    • Precarity, biopolitics and affective regimes of crisis and austerity
    • Activism, social movements, visual and performative protest
    repertoires
    • Creative responses to states of crisis, new modes of artistic
    production, aesthetics of resistance

    • Collaborative aesthetics and the commons

    • Material landscapes of crisis, crisis and urban space, austerity
    urbanism

    • Aesthetics of rupture, ruin, abandonment

    • Historiographies, afterlives of crises

    • Crisis genres: crises of dispossession (debt crisis, moral
    discourse of indebtedness), crises of political
    representation (Arab Spring, global rise of neo-populist
    nationalisms, Brexit, 2016 US election), postcolonial crises,
    military crises (Syria, Ukraine), refugee and humanitarian crisis,
    ecological crises (climate change, Fukushima, DAPL)


*Please send completed papers (with references following the guidelines from the Chicago Manual of Style) of between 4,000 and 10,000 words to (invisible.culture /at/ ur.rochester.edu)** by June 30th, 2017. Inquiries should be sent to the same address.*

*Creative/Artistic Works*
In addition to written materials, InVisible Culture is accepting works in other media (video, photography, drawing, code) that reflect upon the theme as it is outlined above. Please submit creative or artistic works along with an artist statement of no more than two pages to (invisible.culture /at/ ur.rochester.edu). For questions or more details concerning acceptable formats, go to http://ivc.lib.rochester.edu/contribute or contact the same address.

*Reviews*
/InVisible Culture///is also currently seeking submissions for book, exhibition, and film reviews (600-1,000 words). To submit a review proposal, go to http://ivc.lib.rochester.edu/contribute or contact (invisible.culture /at/ ur.rochester.edu).

*Dialogues *
The journal also invites submissions to its Dialogues page, which will accommodate more immediate responses to the topic of the current issue. For further details, please contact us at (invisible.culture /at/ ur.rochester.edu) with the subject heading “Dialogues submission.”

* /InVisible Culture: An Electronic Journal for Visual Culture (IVC)/ is a student-run interdisciplinary journal published online twice a year in an open access format. Through peer reviewed articles, creative works, and reviews of books, films, and exhibitions, our issues explore changing themes in visual culture. Fostering a global and current dialog across fields, IVC investigates the power and limits of vision.


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