[ecrea] Screen Volume 56, Number 3 – Table of Contents

View the full Table of Contents at
http://www.oxfordjournals.org/page/6386/18

*ARTICLES*

Reinhabiting the mock-up gallows: the place of Koreans in Oshima
Nagisa's films in the 1960s
by Shota T. Ogawa

Degraded divinity? Sacred monstrosity? Gérard Depardieu and the abject
star body
by Sue Harris

Rethinking Noriko: marriage narrative as historical allegory in Ozu
Yasujiro's The Moon Has Risen and other Occupation-era films
by Woojeong Joo

*REPORT*

The cinema of Jacques Chirac: governing the French film industry, 
1995–2007
by Peter Baxter

*RESEARCH NOTE*

Film criticism, film scholarship and the video essay
by Andrew Mcwhirter

**

*REVIEWS*

Swift Viewing: The Popular Life of Subliminal Influence
Reviewed by Michael Z. Newman

 From Fu Manchu to Kung Fu Panda: Images of China in American Film
Reviewed by Gary Bettinson

Recording Reality, Desiring the Real
The Right to Play Oneself: Looking Back on Documentary Film
Reviewed by Stella Bruzzi

Cinema as Weather: Stylistic Screens and Atmospheric Change
Reviewed by Philippa Lovatt

Small-Gauge Story-Telling: Discovering the Amateur Fiction Film
Reviewed by Heather Norris Nicholson

 From Light to Byte: Toward an Ethics of Digital Cinema
Time and the Digital: Connecting Technology, Aesthetics and a Process
Philosophy of Time
Reviewed by Damien Charrieras and Hayley Macmillan

View the full Table of Contents at
http://www.oxfordjournals.org/page/6386/18


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