[ecrea] Critical Studies in Television 8:1 - Now Available Online

Now available online.



Critical Studies in Television: The International Journal of Television 
Studies

Volume 8, Issue 1, Spring 2013



http://manchester.metapress.com/content/k95w42240v51/



The issue includes:



Editorial

DOI: 10.7227/CST.8.1.2

http://manchester.metapress.com/content/g003286587106874/



Poetry and/on Television: Drinking for England (BBC, 1998)

Amy Holdsworth

DOI: 10.7227/CST.8.1.3

http://manchester.metapress.com/content/r8112163u1743225/



Teen TV Meets T4: Assimilating The O.C. into British Youth Television

Faye Woods

DOI: 10.7227/CST.8.1.4

http://manchester.metapress.com/content/24374w8660342301/



‘A Strange Post[Feminist] Moment’? Conflicting Constructions of 
Femininity in ITV's Lost in Austen (2008)

Jessica Cox

DOI: 10.7227/CST.8.1.5

http://manchester.metapress.com/content/j440344lw3ur71l5/



National Identity and the Representation of Palestinian Arab Women's 
‘Otherness’ in Reality Shows on Israeli Commercial Television

Amit Lavie-Dinur, Yuval Karniel

DOI: 10.7227/CST.8.1.6

http://manchester.metapress.com/content/331774414w2577v2/



Past Their Prime Time?: Women, Ageing and Absence on British Factual 
Television

Deborah Jermyn

DOI: 10.7227/CST.8.1.7

http://manchester.metapress.com/content/u5611404rqr71566/



Dossier: Dennis Potter in America

David Bianculli

DOI: 10.7227/CST.8.1.8

http://manchester.metapress.com/content/v5363520pn713521/



In Debate: Cowboys or Indies? 30 years of the Television and Digital 
Independent Public Service Production Sector

James Bennett, Paul Kerr, Niki Strange, et al.

DOI: 10.7227/CST.8.1.9

http://manchester.metapress.com/content/l03523133613x679/



Reviews

Kim Walden, Herbert Schwaab, Darcey West Morris, et al.

DOI: 10.7227/CST.8.1.10

http://manchester.metapress.com/content/m52386705j93x56q/



Appendix: Filmography and TV Listing

DOI: 10.7227/CST.8.1.11

http://manchester.metapress.com/content/m615q67t82r82m26/



Critical Studies in Television publishes articles that draw together 
divergent disciplines and different ways of thinking, to promote and 
advance television as a distinct academic discipline. It welcomes 
contributions on any aspect of television—production studies and 
institutional histories, audience and reception studies, theoretical 
approaches, conceptual paradigms and pedagogical questions. It continues 
to invite analyses of the compositional principles and aesthetics of 
texts, as well as contextual matters relating to both contemporary and 
past productions. CST also features book reviews, dossiers and debates. 
The journal is scholarly but accessible, dedicated to generating new 
knowledge and fostering a dynamic intellectual platform for television 
studies.



For more information on Critical Studies in Television, including 
submission guidelines and subscription recommendations, please see the 
journals website: 
http://www.manchesteruniversitypress.co.uk/cgi-bin/scribe?showinfo=ip013




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